Tag Archive

art

Project Showcase: Murals of Las Cruces Project

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“La Virgincita” by Preciliana Sandoval (2010) in the Mesquite Neighborhood of Las Cruces. Photo credit: Murals of Las Cruces Project.

During the summer of 2015, a group of scholars, students, and artists trekked under the sweltering New Mexico sun with cameras and notebooks in hand to document public murals in the city of Las Cruces. Read More

Public art and history: Silver Spring’s Memory Wall

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The Silver Spring Memory Wall was completed on the exterior wall of a Caldor department store. Photo credit: David Rotenstein.

In the 1990s, Silver Spring, Maryland, was desperate for economic investment and an image makeover. Next door to Washington, D.C., the Montgomery County suburb had suffered from two decades of disinvestment and white flight. Read More

A color-blind Stockholm syndrome

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"George Washington as Framer at Mount Vernon," 1851, part of a series on George Washington by Junius Brutus Stearns. Located at the Virginia Museum of Fine Arts.

“George Washington as Farmer at Mount Vernon,” 1851, part of a series on George Washington by Junius Brutus Stearns. Located at the Virginia Museum of Fine Arts. Photo credit: Wikimedia Commons

The American narrative, like any cultural narrative, consists of stories that structure and assign meaning to the nation’s origin, history, and existence. Read More

I, Too, Sing America: Integrating the voices of all Americans in historic preservation

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Editor’s note: This post concludes a series commemorating the anniversary of the National Historic Preservation Act by examining a part article published in The Public Historian, describing its significance and relating it to contemporary conversations in historic preservation. 

Harbor of Town of St. George, Bermuda, 2006. Photo by Aodhdubh at English Wikipedia. CC BY 2.5, https://creativecommons.org/licenses/by/2.5/.

Harbor of Town of St.

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Exhibiting a unique artistic legacy at the South Side Community Art Center

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"A Great Day In Bronzeville" Photo Credit: John Moye, May 28, 2005

“A Great Day In Bronzeville,” May 28, 2005. Photo credit: John Moye

Editor’s Note: This post is part of a special online section accompanying issue 37 (2) of The Public Historian, guest edited by Lisa Junkin Lopez, which focuses on the future of historic house museums. Read More

Fragile history in a gentrifying neighborhood

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1.Valetta Anderson at an Atlanta Studies Network event in 2014. Photo by the author.

Valetta Anderson at an Atlanta Studies Network event in 2014. Photo credit:  David Rotenstein

Over the past few years, I have been writing about gentrification and how it intersects with history in an Atlanta, Georgia, suburb. Twenty-five months and more than 50 interviews after I started talking with people and documenting neighborhood change in the Oakhurst area of Decatur, I met playwright Valetta Anderson, who works at Atlanta’s Woodruff Arts Center. Read More

History without vision: A struggle over art at the City Museum of New York

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Mike Alewitz's "The City at the Crossroads of History" mural was commissioned for the City Museum of New York, which has declined to display it.

Mike Alewitz’s “The City at the Crossroads of History” mural was commissioned for the City Museum of New York, which has declined to display it. Photo credit: Mike Alewitz

Muralist and activist Mike Alewitz has finished his tribute to the labor and social justice movements, an imposing four-panel painting titled The City at the Crossroads of History–but the museum it was commissioned for doesn’t want it. Read More

Keeping the faith: Political cartoons in and out of the archives

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https://www.flickr.com/photos/29233640@N07/16227778545/ Photo credit: Robert Couse-Baker

“I am Charlie” has become the expression of solidarity of people around the world in support of the French weekly newspaper following the January 7, 2015 attack.
Photo credit: Robert Couse-Baker

The killings at the Charlie Hebdo office in Paris this week have prompted a passionate defense around the world of political cartoons as free speech, a form of journalistic expression that exemplifies (and occasionally pushes the boundaries of) a free press’s role as critic and gadfly. Read More

Guantánamo Public Memory Project: Three experiments in public engagement by public history at Arizona State University

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Editor’s Note: This piece continues a series of posts related to the Guantánamo Public Memory Project, a collaboration of public history programs across the country to raise awareness of the long history of the US naval base at Guantánamo Bay (GTMO) and foster dialogue on its future.   Read More