The ways we preserve history for the benefit of future generations has changed enormously in the digital era. Yesterday we raised statues and planted roadside markers. Today we utilize the vast potential of the Internet to preserve history with online platforms. Read More
A big house. Stately trees. Curious outbuildings. In 1905, Pennsylvania-born tourist Matilda Kessinger marveled at the landscape before her, “something one always reads about but never sees.” After 18 years of traveling the South, Kessinger had finally found the one place that lived up to her romantic ideals of an antebellum plantation. Read More
It’s been five years since Hamilton: An American Musical debuted at the Public Theatre in New York, a notable moment for numerous reasons, not least of which was the ensuing (and ongoing) clamor among Americans for tickets to see a musical about history. Read More
Editor’s Note: This is the third in a series of posts from members of the Local Arrangements Committee for the NCPH 2020 annual meeting which will take place from March 18 through March 21 in Atlanta, Georgia.
You may be surprised to learn that one of the largest Hindu temples in the United States is located just outside Atlanta, and that the city is home to the second-largest Bhutanese community in the country. Read More
Editor’s note: This is the second post in a three-part series on the Chicory Revitalization Project.
In my first post in this series, I argued that Chicory, a community poetry magazine from Baltimore in the 1960s, could be a valuable resource for public historians seeking the perspectives of regular people, particularly working-class African American young people, about the tumultuous era they lived through. Read More
Editor’s Note: This is the first post in a three-part series on Baltimore’s Chicory Revitalization Project.
Following the assassination of Malcolm X in 1965, black visual artists, writers, dancers, musicians, actors, and poets conceptualized themselves as part of the Black Arts Movement, a black nationalist political and aesthetic project. Read More
Editors’ Note: When the Equal Justice Initiative (EJI) opened the Legacy Museum and the National Memorial for Peace and Justice in Montgomery, Alabama, in April 2018, grassroots Community Remembrance was built into the project’s DNA. This Q&A between History@Work lead editor Adina Langer and Kayla Duncan discusses the work of the Fulton County Remembrance Coalition, an organization in Fulton County, Georgia, dedicated to earning an EJI-designated monument for Fulton County. Read More
Editors’ Note: This is one post in a series of posts about the intersection of archives and public history that will be published throughout October, or Archives Month in the United States. This series is edited by National Council on Public History (NCPH) board member Krista McCracken, History@Work affiliate editor Kristin O’Brassill-Kulfan, and NCPH The Public Historian co-editor/Digital Media Editor Nicole Belolan.Read More
The medium of podcasting is two decades old, but this digital form of storytelling still seems full of untapped potential for public history practitioners. Sensing this opportunity, our professional organizations have created spaces for training, critique, and reflection on all things podcast-related.Read More
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