Rafting concessions on the Colorado (above) and other rivers have been at issue in some allegations of unethical behavior within the National Park Service in recent years Photo credit: Michael Quinn, National Park Service.
Interpreting LGBT History at Museums and Historic Sites (Rowman & Littlefield) Cover.
I decided to become a professional historian in a campground in Ohio in the summer of 1994. I was spending the day lounging at my campsite, reading About Time: Exploring the Gay Past, by Martin Duberman, when his essay “’Writhing Bedfellows’ in Antebellum South Carolina: Historical Interpretation and the Politics of Evidence” got me so fired up that I decided it was time to go out and do what I could to bring the past to the people. Read More
In August 2015, a museum that had originally been billed as “the first women’s museum in the UK” opened instead as the Jack the Ripper Museum on Cable Street in the East End of London. ‘Jack the Ripper,’ an anonymous figure who murdered and mutilated at least five women in the late nineteenth century, has become the focus of a museum that had once been promised to represent and celebrate untold histories of women. Read More
2014 saw huge steps forward in representations of LGBTQ (Lesbian, Gay, Bisexual, Transgender, Queer, and Questioning) lives in public history on both sides of the Atlantic. Projects have been launched in both the United States and the United Kingdom that aim to reveal national histories of LGBTQ lives, highlighting the ways that international conversations about approaches to public history are developing and impacting positively on the practice of public history. Read More
Our suspicions about the too-great-to-be-true Moms at the “Mich” album cover led us back to the Wikipedia entry that had started our quest for details about this little-known moment in LGBT (Lesbian, Gay, Bisexual, and Transgender) history. Read More
Moms at the ‘Mich’: Cover of the mysterious “lost” Moms Mabley album. Photo credit: Rateyourmusic.com
There are layers of history contained in the album cover for Moms at the “Mich.” Jackie “Moms” Mabley’s career ran from the queer Harlem comedy clubs of the 1920s to early race films, from the mid-century “chitlin’ circuit” to the family-friendly late-career movie Amazing Grace (1974). Read More
Editor’s Note: In “What I’ve Learned Along the Way: A Public Historian’s Intellectual Odyssey,” outgoing NCPH President Bob Weyeneth issued a call to action to public historians to include the public more fully in our work by “pulling back the curtain” on our interpretive process-how we choose the stories we tell.Read More
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