The National Council on Public History (NCPH) board-led Subcommittee on Gender Discrimination and Sexual Harassment is collecting a list of resources to share with public history professionals. During this month’s virtual NCPH Annual Meeting, please join us in assembling and assessing resources on topics of gender discrimination and sexual harassment to empower public historians to take action when necessary at work, to provide resources on these issues to those who teach and train public historians, and to provide resources to anyone in the field who has been a victim of sexual harassment or gender discrimination. Read More
The National Council on Public History (NCPH) and the American Association for State and Local History (AASLH) have launched an online survey about sexual harassment and gender discrimination in public history. This effort is the culmination of more than a year of work by members of NCPH’s Board-Led Subcommittee on Gender Discrimination and Sexual Harassment, co-chaired by Kristen Baldwin Deathridge and Mary Rizzo. Read More
Authors’ Note: As you may be aware, the status of the NCPH annual meeting has changed. The sessions will not take place as described below, but the activities of the committee continue.
As we look forward to our annual meeting in Atlanta, members of the National Council on Public History (NCPH) board-led Subcommittee on Gender Discrimination and Sexual Harassment wanted to share an update on our recent activities.Read More
Childhood, Consumerism, and Gender in Public History
The Public Historian is publishing a special issue on childhood, consumerism, and gender, inspired in part by the continuing popularity of the American Girl dolls and books. Read More
I was a nineteen-year-old intern at a nonprofit organization working on educational programs. My direct supervisor was a man in his 30s. We shared an office, which meant it was hard to avoid his flirtatious comments, like when he asked me to “try out some mattresses with him.” Read More
On a summer 2013 study trip to historic sites in and around Boston hosted by the Pew Center for Arts & Heritage in Philadelphia, participants were struck by the wide variety of ways they saw gender and sexuality interpreted–or in some cases, not interpreted at all. Read More
This summer I had the pleasure of being part of a tour organized by the Pew Center for Arts and Heritage in Philadelphia. A group of practitioners from across the arts and cultural sector spent several days in the Boston area exploring questions relating to gender and sexuality in public historical interpretation. Read More
During a slow moment on the Love Letters tour, while the couples snuggle each other casually, I ask Barbara to talk more about the effect of the murals. A nurse by training, she tells me that she sees them as having a public health impact—images of hearts helping people’s hearts—and improving people’s attitudes. Read More
“There was this young man from West Philadelphia,” our tour guide, Barbara, told the group of us assembled on hard plastic chairs. “He was a tagger, a graffiti artist, kept getting in trouble. He finally got sent to jail, and when he got out his girlfriend told him she didn’t want him around their baby anymore. Read More
Founded in 1984 to combat graffiti, Philadelphia’s Mural Arts Program replaced tags and bubble letters with larger-than-life murals that were designed collaboratively by community members and professional artists, becoming one of the most influential public arts organizations of its kind. Since that time, more than 3,000 murals—memorializing famous Philadelphians, commemorating immigration and migration stories, and acknowledging groups ranging from veterans to people with disabilities—have put a visual face on many neighborhoods, identifying and crystallizing their unique character.[1] Read More
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