Dijia Chen, University of Virginia

PROPOSAL TYPE

Traditional panel

SEEKING
  • Seeking General Feedback and Interest
  • Seeking Additional Presenters
  • Seeking Specific Expertise
RELATED TOPICS
  • Digital
  • Public Engagement
  • Theory

This panel investigates how alternative newspapers, magazines, exhibitions, online forums, etc. function as contact zones for marginal groups to connect, communicate, interact, and eventually develop into virtual or even real communities with their own narratives and voices against the dominating discourse. This panel welcomes papers from all fields and disciplines that explore how these grass-root media platforms come into being, what historical narratives or ephemera are produced through these platforms, how marginalized groups experience communal senses of the community by participating in the discursive production, and whether the media platforms empower them against the status quo.

DESCRIPTION

The notion of the “imagined community,” as is developed by Benedict Anderson, features the collective in which members “never know most of their fellow-members, meet them or even hear of them, yet in the minds of each lives the image of their community.” While Anderson’s notion is tied to communal structures, such as shared spatial, cultural, and linguistic domains, the “virtual community” created by new forms of media extends across geographical and temporal borders. These media platforms, connecting people and disseminating mediated messaged through alternative newspapers, magazines, exhibitions, online forums, etc., produce particular forms of knowledge and narratives against the dominating discourse, either in cultural, social, political, or disciplinary senses. The formation of “imagined communities” through alternative media practices allows for underrepresented, marginalized, or heterodoxic groups that do not usually have access to develop “real-life” communities to gain mental support, seek practical advice, and voice their opinions by slipping the structural suppression from the dominating discourse. Alternative media platforms, in this regard, allow for marginal groups to produce their own history, which may even eventually turn over the dominating historical narrative in certain circumstances.

This panel focuses primarily on the analysis of media platforms, including their patterns of communication, representation, dissemination, etc. as the pre-conditions that structure and nurture the formation of alternative “imagined communities”. We are especially interested in how media technologies interfere with particular social, cultural and political conditions, and what historical narratives are produced in this process. As John Fiske explains, the peripheral meaning-making process “always bears traces of the constant struggle between domination and subordination”. We seek proposals that explore topics but not limited to: the alternative representation of gender, racial, and sexual minorities, cross-cultural hegemony and resistance, democratization of elitist discourse, media-centered formation of collectivity in virtual space, etc. from all fields of humanities and social science. We are especially interested in how alternative media practices empower marginal groups, and what effects they have on the dominating historical narratives.


If you have a direct offer of assistance, sensitive criticism, or wish to pass along someone’s contact information confidentially, please get in contact directly: Dijia Chen, University of Virginia, [email protected]

ALL FEEDBACK AND OFFERS OF ASSISTANCE SHOULD BE SUBMITTED BY JULY 1, 2021. If you have general ideas or feedback to share, please feel free to use the comments feature below.

Discussion

4 comments
  1. Julio Capo, Jr. says:

    This is fascinating to me. I’m not sure if it’s helpful in any way, but if I can help in some way, I recently won a small grant through the Florida Humanities to help digitize a rare weekly alternative newspaper called “Miami Life” that had been thought entirely lost to us for decades. Finding it over a decade ago helped me write my book, Welcome to Fairyland: Queer Miami before 1940, because it did cover so many of the city’s most marginalized communities (albeit, not in favorable light). Here’s a bit more info: https://floridahumanities.org/2021-march-community-project-grant-awards/.
    Best of luck!

    1. DIJIA CHEN says:

      Hi Julio,
      What you are doing with the Florida Grant looks fascinating and I’d love to hear more about it! I was doing a small research on how online bbs platforms helped nurture alternative discourse in China, where mainstream media was tightly monitored by the party-state, during the early 2000s. It would be great if we can exchange ideas on how these media platforms work, and see how different cases compare across the globe.
      I look forward to hearing more from you!

  2. Modupe Labode says:

    I love this idea. I think that imagined communities is a very rich–albeit underused concept–for public history. This may be an opportunity to reach out to archivists of zines etc. or people who have run projects in which participants use/create alternative media. It would be fascinating to learn from those who have participated in building and interpreting these imagined communities. Good luck, Dijia!

    1. DIJIA CHEN says:

      Hi Modupe,

      Thanks for your feedback! Let me know if you are interested in contributing to this panel. Thanks!

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