Embodying the archive (Part 2): Lineages, longings, migrations

, , , , , , , , ,

people in gallery

From the opening reception of Migrating Archives, on current exhibition at the GLBT Historical Society. Courtesy of E.G. Crichton.

The second part of this art and public history conversation series features artist E.G. Crichton.  In addition to being professor in the Art Department at UC Santa Cruz, Crichton is the first artist-in-residence for the GLBT Historical Society in San Francisco.  Her work, since she began her tenure there, has intentionally pulled the archives into public and personal forums.  In her first major project, LINEAGE: Matchmaking in the Archive, Crichton positioned herself as matchmaker, connecting living persons with a specific archival collection at GLBTHS.  The living participants then authored original work based on their match with and connection to the dead.  Crichton recently opened her newest exhibition, Migrating Archives, on February 1, which tells stories of LGBT lives from archival collections around the world. In her responses, Crichton reflects upon her work at the GLBTHS (and the extent to which it can serve as a model for other institutions), on the matchmaking process, and on introducing forgotten histories into public memory. The full transcript of the interview can be found here.

The first post in this two-part series, linking to an interview with the Atlanta based art/idea collective John Q, can be found here.

~ Julia Brock is Director of Interpretation for the Department of Museums, Archives, and Rare Books and is curator at the Museum of History and Holocaust Education, Kennesaw State University (near Atlanta, Georgia). She received her Ph.D. in Public History from the University of California, Santa Barbara, in 2012.


1 comment

Leave a Reply

Your email address will not be published. Required fields are marked *

This site is protected by reCAPTCHA and the Google Privacy Policy and Terms of Service apply.