Tag Archive
22 September 2011 – Suzanne Fischer
Hey, handsome stranger
Saw your pic in the archives
Too bad you’re dead now
Rebecca Goldman, winner, Archival Haiku 2011
04 May 2011 – Anett Ytre-Eide
From the early 1900s on, the interest in genealogy has been fairly widespread in Norway. Lately though, there has been an explosive increase in interest. This can be contributed to two main factors. One is the series “Who do you think you are? Read More
22 March 2011 – Suzanne Fischer 5
Many unlikely and whimsical projects flourish on Twitter, the popular microblogging service just celebrating its fifth birthday. Big Ben strikes the hour (“bong bong bong”), encounters with near-earth objects are automatically updated (the most recent one missed the Earth by about three million kilometers), a parody account for a politician becomes a compelling scifi short story and the Field Museum’s T-Rex, Sue, turns out to have a wicked sense of humor. Read More
06 January 2011 – Lori Byrd Phillips 8
This January Wikipedia will be celebrating its ten year anniversary, and it’s safe to say that in the past decade the editable encyclopedia has challenged the academic and cultural sectors in a number of ways. A recent post on Off the Wall has already discussed the shifting role that Wikipedia plays in academia, specifically noting its potential for historiography. Read More
15 September 2010 – Larry Cebula
On Wikipedia, Cultural Patrimony, and Historiography: This particular book—or rather, set of books—is every edit made to a single Wikipedia article, The Iraq War, during the five years between the article’s inception in December 2004 and November 2009, a total of 12,000 changes and almost 7,000 pages. Read More
12 July 2010 – Margo Shea 7
digital media, methods, public engagement, community history, digital history, media, memory, sense of place
Most of us are familiar with Flickr, an online open source platform for sharing, tagging and talking about user-generated digital photos. Around 5,000 images get uploaded every minute, lending credence to the notion that many of us are operating in a techno-blur of obsessive documentation and display of our lives, our people, our surroundings. Read More