Pulling back the layers: Participatory and community-based archeology

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Editor’s Note: In “What I’ve Learned Along the Way: A Public Historian’s Intellectual Odyssey,” outgoing NCPH President Bob Weyeneth issued a call to action to public historians to include the public more fully in our work by “pulling back the curtain” on our interpretive process—how we choose the stories we tell. Read More

Internationalizing public history

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globe-constructionIn recent years, there has been a sort of awakening within public history. This awakening has been very noticeable during the annual meeting of the National Council on Public History, especially during the past four years. Where the attendance has traditionally been comprised of American practitioners and scholars (and a fair sprinkling of Canadians), the number of non-North American participants has been steadily growing. Read More

Raising the curtain: From extreme exhibits to artists in residence

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Editor’s Note: In “What I’ve Learned Along the Way: A Public Historian’s Intellectual Odyssey,” outgoing NCPH President Bob Weyeneth issued a call to action to public historians to include the public more fully in our work by “pulling back the curtain” on our interpretive process—how we choose the stories we tell. Read More

Finding the roots of civic engagement in the public humanities

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Editor’s Note: This is the third piece in a series on the “crisis” in the humanities. A post introducing the series can be found here.

When the American Academy of Arts and Sciences makes the case for federal support for the public humanities in its Heart of the Matter report, it relies on arguments about the potential for civic engagement. Read More

Playing the public history jukebox (and letting visitors push the buttons)

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Editor’s Note: In “What I’ve Learned Along the Way: A Public Historian’s Intellectual Odyssey,” outgoing NCPH President Bob Weyeneth issued a call to action to public historians to include the public more fully in our work by “pulling back the curtain” on our interpretive process—how we choose the stories we tell. Read More