Crafting Herstory

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Editor’s Note: This post is part of a series of reflections from winners of NCPH awards in 2021. Sarah Marsom won honorable mention in Excellence in Consulting for her projects Crafting Herstory and #DismantlePreservation.

How women have utilized textiles as a form of activism and therefore, a radical act of self-care, has recently garnered attention through publications such as Crafting Dissent: Handicraft as Protest from the American Revolution to the Pussyhats. Read More

Around the Field June 16, 2021

From around the field this week: the State Historical Society of Missouri seeks nominations for multiple awards; the Association of Midwest Museums calls for proposals for annual conference; register now for The Dublin Seminar for New England Folklife’s conference, “Living with Disabilities in New England, 1630-1930;” the Costume Society of America is offering a virtual roundtable today, June 16. Read More

Around the Field June 2, 2021

From around the field this week: Topic proposals for NCPH 2022 are now viewable, and we encourage you to leave feedback by July 1 so proposer submitters can incorporate it into their final proposals; Gilder Lehrman is hosting a conversation with Henry Louis Gates this evening, June 2; the Society for History in the Federal Government’s annual Trask Lecture is this Friday, June 4. Read More

Editor’s Corner: the shadow of a pandemic

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Editors’ Note: We publish the editor’s introduction to the May 2021 issue of The Public Historian here. The entire issue is available online to National Council on Public History members and to others with subscription access.

Several contributions to this issue in some way reflect the ongoing effects of the COVID-19 pandemic on public history scholarship and labor. Read More

The role of curatorial work in our two pandemics part 2: Inside the gallery

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This is the second part of a two-part essay in which I propose five ideas for anti-racist museological work that carries a public health benefit. In Part 2 I looked at the context in which curatorial work takes place and how the institution can set the stage for effective curatorial work for social justice. Read More