Professional opportunities Dec. 15, 2015

To submit an item for the News Feed, send an email to: news[at]publichistorycommons.org

CFP: “Place,” North Carolina State University Graduate Student History Conference – April 2, 2016, Raleigh, North Carolina, U.S.
DEADLINE: Jan. 11, 2016

CFP: The Museum and Exhibition (MUSE) Studies Publication of the University of Illinois at Chicago invites you to submit art, essays, creative writing, interviews, poetry, love letters and any other creative form analyzing, critiquing, and space making for new thinking about museums and exhibitions. Read More

Fighting for a better memorial?

, , , ,

Editor’s note: This post continues a series commemorating the anniversary of the National Historic Preservation Act by examining a past article published in The Public Historian, describing its significance and relating it to contemporary conversations in historic preservation. 

In this latest post in our series on the National Historic Preservation Act, Mary Rizzo, former co-editor of The Public Historian and current assistant professor of professional practice at Rutgers University-Newark, interviews Sam Imperatrice about the article “Geographies of Displacement: Latina/os, Oral History, and the Politics of Gentrification in San Francisco’s Mission District,” by Nancy Raquel Mirabel. Read More

Remembering Cliff Kuhn

, , ,

Like so many of my friends and colleagues across the full spectrum of the historical profession, I am thankful for having known Cliff Kuhn. His death three weeks ago took us all by surprise. Cliff radiated vitality–intellectual, spiritual and personal. He was known for cycling every morning from his home in Atlanta’s Virginia Highland neighborhood to his office at Georgia State University in the heart of downtown. Read More

Jack the Ripper Museum

, , , ,

In August 2015, a museum that had originally been billed as “the first women’s museum in the UK” opened instead as the Jack the Ripper Museum on Cable Street in the East End of London. ‘Jack the Ripper,’ an anonymous figure who murdered and mutilated at least five women in the late nineteenth century, has become the focus of a museum that had once been promised to represent and celebrate untold histories of women. Read More