Tag Archive
17 February 2017 – Melissa Marietta
On November 9th, I put my kids on the bus and cried in the shower. I was embarrassed by my own visceral reaction to the news of the election and tried to recover for my day in the office. What I soon discovered, however, was that I was not alone in my shock, grief and anger. Read More
02 February 2017 – G. Samantha Rosenthal 1
Editor’s Note: In their article, “Make Roanoke Queer Again: Community History and Urban Change in a Southern City,” which appears in the February 2017 issue of The Public Historian, Gregory Samantha Rosenthal expands upon this preview to explore the intersections among urban history, queer history, and public history. Read More
19 July 2016 – Cathy Stanton 5
When I studied public historians within a large U.S. national park for my dissertation research 12 years ago, I was left with some questions that I’ve been pondering ever since and that have kept coming to the surface in various ways in more recent years. Read More
17 March 2016 – Susan Ferentinos
I decided to become a professional historian in a campground in Ohio in the summer of 1994. I was spending the day lounging at my campsite, reading About Time: Exploring the Gay Past, by Martin Duberman, when his essay “’Writhing Bedfellows’ in Antebellum South Carolina: Historical Interpretation and the Politics of Evidence” got me so fired up that I decided it was time to go out and do what I could to bring the past to the people. Read More
19 November 2015 – Claire Hayward
In August 2015, a museum that had originally been billed as “the first women’s museum in the UK” opened instead as the Jack the Ripper Museum on Cable Street in the East End of London. ‘Jack the Ripper,’ an anonymous figure who murdered and mutilated at least five women in the late nineteenth century, has become the focus of a museum that had once been promised to represent and celebrate untold histories of women. Read More
17 February 2015 – Claire Hayward
2014 saw huge steps forward in representations of LGBTQ (Lesbian, Gay, Bisexual, Transgender, Queer, and Questioning) lives in public history on both sides of the Atlantic. Projects have been launched in both the United States and the United Kingdom that aim to reveal national histories of LGBTQ lives, highlighting the ways that international conversations about approaches to public history are developing and impacting positively on the practice of public history. Read More
06 November 2014 – Mary Rizzo 1
Continued from Part 1
Our suspicions about the too-great-to-be-true Moms at the “Mich” album cover led us back to the Wikipedia entry that had started our quest for details about this little-known moment in LGBT (Lesbian, Gay, Bisexual, and Transgender) history. Read More
30 October 2014 – Mary Rizzo 4
There are layers of history contained in the album cover for Moms at the “Mich.” Jackie “Moms” Mabley’s career ran from the queer Harlem comedy clubs of the 1920s to early race films, from the mid-century “chitlin’ circuit” to the family-friendly late-career movie Amazing Grace (1974). Read More
13 August 2014 – Ken Turino 1
museums, The Public Historian, gender/sexuality, pulling back the curtain, historic house museums, tours
Editor’s Note: In “What I’ve Learned Along the Way: A Public Historian’s Intellectual Odyssey,” outgoing NCPH President Bob Weyeneth issued a call to action to public historians to include the public more fully in our work by “pulling back the curtain” on our interpretive process-how we choose the stories we tell. Read More
01 July 2014 – Susan Ferentinos 1
museums, The Public Historian, gender/sexuality, pulling back the curtain, LGBT, sexuality, visitors
Editor’s Note: In “What I’ve Learned Along the Way: A Public Historian’s Intellectual Odyssey,” outgoing NCPH President Bob Weyeneth issued a call to action to public historians to include the public more fully in our work by “pulling back the curtain” on our interpretive process—how we choose the stories we tell. Read More