The National Council on Public History (NCPH) and the American Association for State and Local History (AASLH) have launched an online survey about sexual harassment and gender discrimination in public history. This effort is the culmination of more than a year of work by members of NCPH’s Board-Led Subcommittee on Gender Discrimination and Sexual Harassment, co-chaired by Kristen Baldwin Deathridge and Mary Rizzo. Read More
Authors’ Note: As you may be aware, the status of the NCPH annual meeting has changed. The sessions will not take place as described below, but the activities of the committee continue.
As we look forward to our annual meeting in Atlanta, members of the National Council on Public History (NCPH) board-led Subcommittee on Gender Discrimination and Sexual Harassment wanted to share an update on our recent activities.Read More
Editor’s note: This is the second post in a three-part series on the Chicory Revitalization Project.
In my first post in this series, I argued that Chicory, a community poetry magazine from Baltimore in the 1960s, could be a valuable resource for public historians seeking the perspectives of regular people, particularly working-class African American young people, about the tumultuous era they lived through. Read More
Editor’s Note: This is the first post in a three-part series on Baltimore’s Chicory Revitalization Project.
Following the assassination of Malcolm X in 1965, black visual artists, writers, dancers, musicians, actors, and poets conceptualized themselves as part of the Black Arts Movement, a black nationalist political and aesthetic project. Read More
I was a nineteen-year-old intern at a nonprofit organization working on educational programs. My direct supervisor was a man in his 30s. We shared an office, which meant it was hard to avoid his flirtatious comments, like when he asked me to “try out some mattresses with him.” Read More
2015 will be remembered by historians as the year of #BlackLivesMatter, an intersectional civil rights movement that merged direct action, political activity, and social media to force a national discussion around issues of police violence and institutional racism. It’s also pushed to the forefront discussions about diversity in various other kinds of American institutions, from Hollywood movies to Silicon Valley. Read More
Our suspicions about the too-great-to-be-true Moms at the “Mich” album cover led us back to the Wikipedia entry that had started our quest for details about this little-known moment in LGBT (Lesbian, Gay, Bisexual, and Transgender) history. Read More
There are layers of history contained in the album cover for Moms at the “Mich.” Jackie “Moms” Mabley’s career ran from the queer Harlem comedy clubs of the 1920s to early race films, from the mid-century “chitlin’ circuit” to the family-friendly late-career movie Amazing Grace (1974). Read More
I’d never held a duck decoy in my hands before and certainly not one that was important enough to be in a museum’s collection. It was my first day as education curator at the Tuckerton Seaport Museum in Tuckerton, New Jersey, and along with Jackie Stewart, the director of the folklife center (it was her first day, too), I was organizing a small exhibit for the nature center. Read More
Editor’s Note: This is the third piece in a series on the “crisis” in the humanities. A post introducing the series can be found here.
When the American Academy of Arts and Sciences makes the case for federal support for the public humanities in its Heart of the Matter report, it relies on arguments about the potential for civic engagement. Read More
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