Editors’ Note: This post is part of a History@Work series that complements The Public Historian, volume 40, number 3, which is about the history of the field of Black Museums. Shawn Halifax writes in “McLeod Plantation Historic Site: Sowing Truth and Change,” that “many if not most historic plantations acknowledge or interpret African diasporic histories and cultures that existed within these landscapes to varying degrees.”Read More
Editor’s note: This is the third in a series of pieces focused on Hartford and its regional identity which will be posted before and during the NCPH Annual Meeting in Hartford, Connecticut in March.
Growing up in eastern Connecticut, my thoughts of Hartford were a mix of positives and negatives.Read More
Editor’s Note: Want to know more about what it takes to develop an award-winning exhibition about the lives of enslaved people at a founding father’s historic site? We did, too! In this series, we will learn more about what went into the new permanent exhibition The Mere Distinction of Colour (MDOC) at James Madison’s Montpelier (JMM) in Virginia.Read More
Editor’s Note: Want to know more about what it takes to develop an award-winning exhibition about the lives of enslaved people at a founding father’s historic site? We did, too! In this series, we will learn more about what went into the new permanent exhibition The Mere Distinction of Colour (MDOC) at James Madison’s Montpelier (JMM) in Virginia.Read More
Editor’s note: We publish The Public Historian (TPH) editor James F. Brooks’s introduction to the February 2019 issue of TPH here. The entire issue is available online to National Council on Public History members and to others with subscription access.Read More
Editor’s Note: Want to know more about what it takes to develop an award-winning exhibition about the lives of enslaved people at a founding father’s historic site? We did, too! In this series, we will learn more about what went into the new permanent exhibition The Mere Distinction of Colour (MDOC) at James Madison’s Montpelier (JMM) in Virginia.Read More
Editor’s Note: Want to know more about what it takes to develop an award-winning exhibition about the lives of enslaved people at a founding father’s historic site? We did, too! In this series, we will learn more about what went into the new permanent exhibition The Mere Distinction of Colour (MDOC) at James Madison’s Montpelier (JMM) in Virginia.Read More
Editor’s Note: Want to know more about what it takes to develop an award-winning exhibition about the lives of enslaved people at a founding father’s historic site? We did, too! In this series, we will learn more about what went into the new permanent exhibition The Mere Distinction of Colour (MDOC) at James Madison’s Montpelier (JMM) in Virginia.Read More
Editor’s Note: Want to know more about what it takes to develop an award-winning exhibition about the lives of enslaved people at a founding father’s historic site? We did, too! In this series, we will learn more about what went into the new permanent exhibition “The Mere Distinction of Colour” (MDOC) at James Madison’s Montpelier (JMM) in Virginia.Read More
Can campus history be public history? NCPH members and others, both inside and outside of the academy, have been grappling with this question for years, considering the often-fraught town/gown and faculty/administration relationships many of our colleagues face. The ways that we answer this question have changed significantly over the last decade, however, as dozens of colleges and universities have endeavored to reckon with the reality of their histories, many in response to institutional connections to slavery. Read More
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