Editors’ Note: This post is part of a History@Work series that complements “The Public Historian,” volume 40, number 3, which is about the history of the field of Black Museums.
Entertainment and music are a big piece of Asbury Park’s history. Read More
Editors’ Note: This post is part of a History@Work series that complements “The Public Historian,” volume 40, number 3, which is about the history of the field of Black Museums.
The Biddy Mason Memorial Park in Los Angeles, California, invites us into the story of a once-enslaved woman. Read More
Editors’ Note: This post is part of a History@Work series that complements The Public Historian, volume 40, number 3, which is about the history of the field of Black Museums. Shawn Halifax writes in “McLeod Plantation Historic Site: Sowing Truth and Change,” that “many if not most historic plantations acknowledge or interpret African diasporic histories and cultures that existed within these landscapes to varying degrees.”Read More
Editors’ Note: This post is part of a History@Work series that complements The Public Historian, volume 40, number 3, which is about the history of the field of Black Museums. This is part 2 of a two-part post written by educators at Atlanta’s APEX Museum: African American Panoramic Experience and Historic Oakland Cemetery, with questions posed by History@Work editor Adina Langer (AL) and answers given by Deborah Strahorn (DS) of APEX Museum and Marcy Breffle (MB) of Historic Oakland Cemetery.Read More
Editors’ Note: This post is part of a History@Work series that complements The Public Historian volume 40, number 3, which is about the history of the field of Black Museums. The piece, written by educators at Atlanta’s APEX Museum: African American Panoramic Experience and Historic Oakland Cemetery, considers the collaboration between these two institutions around the interpretation of African American history within the context of the emergence of the field of Black Museums described in Jeff Hayward and Christine Larouche’s article “The Emergence of the Field of African American Museums” and African American history more generally.Read More
Editors’ Note: This post is part of a History@Work series that complements The Public Historian, volume 40, number 3, which is about the history of the field of Black Museums.
There are multiple paths to the collaborations we value as historical interpreters and practitioners. Read More
On October 28, 2016, the editorial team of The Public Historian waited in a crisp windy dawn for the doors of the National Museum of African American History and Culture (NMAAHC) to open. Read More
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