Editor’s note: This essay is part of a series of reflective posts written by winners of awards intended to be given out at the NCPH 2020 annual meeting in Atlanta, Georgia. Jan Levinson-Hebbard of the Hargrett Rare Book and Manuscript Library at the University of Georgia received an honorable mention for the Outstanding Public History Project Award.Read More
It’s been five years since Hamilton: An American Musical debuted at the Public Theatre in New York, a notable moment for numerous reasons, not least of which was the ensuing (and ongoing) clamor among Americans for tickets to see a musical about history. Read More
Editors’ Note: This is one in a series of posts about the intersection of archives and public history that will be published throughout October, or Archives Month in the United States. This series is edited by National Council on Public History (NCPH) board member Krista McCracken, History@Work affiliate editor Kristin O’Brassill-Kulfan, and NCPH The Public Historian co-editor/Digital Media Editor Nicole Belolan.Read More
This blog published four responses to the piece, including one by Annette Gordon-Reed, who wrote that my review was an expression of “our duty to use what we know of history and culture to comment” on artistic explorations of the past. Read More
This past August, I went with a group of historians to see the much acclaimed, and now Grammy-winning, musical, Hamilton. Our timing was just right. The ticket prices were reasonable (for the Great White Way), costing nowhere near the astronomical sums people pay now. Read More
Public historians have spent a good deal of time looking at how history is performed in museums and living history sites, in reenactments, and on film and television. Theatre, opera, and musicals have received far less attention, and one reason for this might be that these forms of representation are often thought of as elitist.[1] Read More
My recent review of the Georgia Social Studies Standards, as part of my work at the Museum of History and Holocaust Education, galvanized my desire to reflect on the importance of the Broadway musical, Allegiance, which tells the story in fictionalized form of George Takei’s family’s experience in internment camps during World War II. Read More
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