Editor’s note: This post continues a series featuring contributions from members of the NCPH Board of Directors.
Lately I’ve been performing my public history. Several times this spring I’ve donned a business suit and silk blouse, straightened my blonde(ish) hair, and adopted the cheerful demeanor of a corporate publicist. Read More
Public historians have spent a good deal of time looking at how history is performed in museums and living history sites, in reenactments, and on film and television. Theatre, opera, and musicals have received far less attention, and one reason for this might be that these forms of representation are often thought of as elitist.[1] Read More
Editors’ note: This conversation responds to Adam Shoalts’ report on the October 2012 bicentennial reenactment of the Battle of Queenston Heights and is part of the collaborative coverage of War of 1812 commemoration in History@Work and The Public Historian.Read more here.Read More
The Olympic opening ceremony last Friday, staged by filmmaker Danny Boyle, left me with a strange feeling of déja vu. All the high-tech elements aside, this show could have been produced in 1912 almost as easily as 2012. Its capsule-history-of-Great-Britain-from-green-and-pleasant-land-through-industrial-power-to-postindustrial-success format essentially followed the pageant form that was popular a hundred years ago. Read More
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