In the final post of this series, we consider how the “Slavery at South Carolina College” project has been received. The most important effects have been local. The website has acted as a catalyst that has increased awareness of slavery at the university and an interest among students and faculty in speaking plainly about that history. Read More
As well as trying to convey a sense of these enslaved workers as people, the team of graduate students working on the “Slavery at South Carolina College” website also sought to connect this history to the physical landscape. Read More
Last Thursday, the US Supreme Court and a federal district court issued separate rulings striking down voter ID laws in Wisconsin and Texas. The Texas ruling should be of particular interest to public historians because of the extent to which history is at the center of US District Court Judge Nelva Gonzalez Ramos’s decision. Read More
This summer I traveled to Shanghai, China, with a group of fellow students and faculty from Princeton University for an immersive seminar in public history, memory, and preservation. The trip provided an opportunity to think about public history in a transnational framework, which is important to me for two reasons. Read More
On August 24, 2014, the temporary exhibition Lake Effects closed its doors after a ten-month run at the Michigan Historical Museum. Attempting to absorb as much Great Lakes culture as I could before relocating to the southeastern United States, I visited the Michigan Historical Museum with my family in July. Read More
Earlier this year The New York Times dubbed Atlanta, Ga., “the city too busy to remember.” The play on Civil Rights-era mayor Ivan Allen’s municipal sobriquet came during reporting on Atlanta’s demolition of a historic African American church, Friendship Baptist, to clear the way for new stadium construction. Read More
Portland’s gentrification and redevelopment attracted the attention of Loretta Lees, a United Kingdom professor with family in Maine. She documented the rehabilitation of residential, commercial, and industrial properties and the reconfiguration of public spaces in Portland’s upgrading downtown neighborhoods. Read More
On July 17, Miami-Dade County Commissioners—several Cuban-Americans among them—approved a controversial plan to construct a Cuban Exile History Museum (CEHM) alongside Biscayne Bay. Few would deny the importance of the Cuban community to Miami’s rise from sleepy getaway to sprawling “gateway to the Americas.” Read More
Sam Smith’s blacksmith shop is part living history laboratory and part urban sustainability experiment. He is a former history major who turned passions for the past and metalworking into a business that produces objects, artisans, and history in contested space on the edge of a gentrifying Portland, Maine, neighborhood. Read More
So how did the small-scale artisans at Fringe fit into the proposals put forward by the master developer candidates at the March meeting? The short answer is: ambiguously. They were clearly seen by the developers as both part of the hipness of the neighborhood and part of the set of problems–what in an earlier era of urban redevelopment was more bluntly termed “blight”–that the proposals aimed to overcome. Read More
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