This summer, a team of National Council on Preservation Education (NCPE) interns oversaw the National Historic Landmarks Program’s social media accounts and explored firsthand how the creative chaos of shared social media management can be harnessed as a productive outlet for engagement and interpretation. Read More
I think it’s safe to say that most historians do not have backgrounds in marketing and branding, and it’s unlikely that many of us took business classes during graduate school. Those of us who take the consultant’s path, however, soon discover the value of marketing expertise. Read More
Our “Public History on the Edge of Nowhere” working group consisted of individuals from institutions that face issues of isolation due to physical location or a lack of awareness by the surrounding communities. In Nashville at the 2015 National Council on Public History conference, we sought to facilitate a group discussion centered on developing creative solutions for institutions lacking direct access to large populations. Read More
On May 30, 1995, wearing an orange construction helmet, I stood behind a makeshift barricade on E. 13th Street in New York City. Hundreds of squatters faced off against larger numbers of riot police who were armed with a tank and supported by snipers on the surrounding buildings. Read More
Muralist and activist Mike Alewitz has finished his tribute to the labor and social justice movements, an imposing four-panel painting titled The City at the Crossroads of History–but the museum it was commissioned for doesn’t want it.
The Puffin Foundation, a grant maker that frequently supports politically left artists, engaged Alewitz to create the mural for a new gallery at the Museum of the City of New York. Read More
From art museums collecting Instagram posts for mobile photography exhibits to natural history museums getting visitors to actively participate in digitizing their collections or museums using crowdfunding sites like Kickstarter, Indiegogo, and Causevox to raise funds for special projects and exhibits, crowdsourcing is becoming increasingly prevalent in heritage and cultural institutions. Read More
In the final post of this series, we consider how the “Slavery at South Carolina College” project has been received. The most important effects have been local. The website has acted as a catalyst that has increased awareness of slavery at the university and an interest among students and faculty in speaking plainly about that history. Read More
Earlier this year The New York Times dubbed Atlanta, Ga., “the city too busy to remember.” The play on Civil Rights-era mayor Ivan Allen’s municipal sobriquet came during reporting on Atlanta’s demolition of a historic African American church, Friendship Baptist, to clear the way for new stadium construction. Read More
I’ve never considered myself a Luddite. I’ve had a smartphone for more than eight years, I occasionally post to Facebook, I’m signed up for a few blogs, and an e-reader has completely changed my reading habits. But when it comes to the fluttering noises of the little blue bird known as Twitter, the Luddite in me comes out. Read More
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