A side or B side? Postindustrial artisans walking a fine line (Part II)

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Continued from Part 1.

So how did the small-scale artisans at Fringe fit into the proposals put forward by the master developer candidates at the March meeting? The short answer is: ambiguously. They were clearly seen by the developers as both part of the hipness of the neighborhood and part of the set of problems–what in an earlier era of urban redevelopment was more bluntly termed “blight”–that the proposals aimed to overcome. Read More

"Sustaining Historic Preservation Through Community Engagement": A conversation continued

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At the 2014 annual National Council on Public History conference in Monterey, several of us came together for a roundtable discussion on “Sustaining Historic Preservation Through Community Engagement.” The roundtable was organized and facilitated by Theodore Karamanski from Loyola University and Kristen Baldwin Deathridge from Appalachian State University. Read More

Behind the velvet rope: Revealing process with museum tours and programs

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Editor’s Note: In “What I’ve Learned Along the Way: A Public Historian’s Intellectual Odyssey,” outgoing NCPH President Bob Weyeneth issued a call to action to public historians to include the public more fully in our work by “pulling back the curtain” on our interpretive process-how we choose the stories we tell. Read More

A side or B side? Postindustrial artisans walking a fine line (Part I)

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On a cold March evening this past winter, my students and I caught a bus from Davis Square, near Tufts University, to attend a public meeting in Union Square, at the other end of Somerville, Massachusetts. Within the generally-pricey Boston real estate market of the past two or three decades, Union Square has remained relatively affordable and as a result has been something of a haven for artists, artisans, low-income immigrants, and small, often marginal businesses. Read More

We won’t keep off the grass: A day at the folklife festival

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Coming out of the Smithsonian Metro station on the National Mall, we were immediately drawn to the massive flower plaque bursting with colorful fabric art. Its sound beckoned us, as hundreds of bamboo wind chimes rattled in the breeze. In China, “flower plaques are decorated bamboo structures used for celebrations such as business openings, weddings, or anniversaries.” Read More

Pulling back the layers: Participatory and community-based archeology

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Editor’s Note: In “What I’ve Learned Along the Way: A Public Historian’s Intellectual Odyssey,” outgoing NCPH President Bob Weyeneth issued a call to action to public historians to include the public more fully in our work by “pulling back the curtain” on our interpretive process—how we choose the stories we tell. Read More