This past August, I went with a group of historians to see the much acclaimed, and now Grammy-winning, musical, Hamilton. Our timing was just right. The ticket prices were reasonable (for the Great White Way), costing nowhere near the astronomical sums people pay now. Read More
My thoughts on the Flint water crisis stem from a personal perspective, as well as my academic interests in deindustrialization, African American history, and heritage tourism. When I was two years old, my dad was offered a job as a reference librarian at the University of Michigan-Flint. Read More
2015 will be remembered by historians as the year of #BlackLivesMatter, an intersectional civil rights movement that merged direct action, political activity, and social media to force a national discussion around issues of police violence and institutional racism. It’s also pushed to the forefront discussions about diversity in various other kinds of American institutions, from Hollywood movies to Silicon Valley. Read More
The American narrative, like any cultural narrative, consists of stories that structure and assign meaning to the nation’s origin, history, and existence. In theory, this narrative can link Americans who have experienced genocide, slavery, and white privilege. But for people descended from enslaved peoples, this narrative has instead been used to conceal the inconvenient truths of systemic historic and current racial injustice and inequality. Read More
I study environmental justice movements, both contemporary and historical. Lead (along with asthma) has been a central urban environmental health issue in the US that hits racial minorities and working-class people particularly hard. Lead is often thought of, for that reason, as an example of environmental racism. Read More
Lyra Monteiro is certainly right, when she notes in her review of Hamilton: An American Musical, that mainstream American culture has a lamentable tendency to embrace and retell certain stories about American history, including that of the founders, with greater frequency and enthusiasm than the many other stories that require more difficult reckonings with the past. Read More
Editor’s note: This post concludes a series commemorating the anniversary of the National Historic Preservation Act by examining a part article published in The Public Historian, describing its significance and relating it to contemporary conversations in historic preservation.
Historic preservation exists to tell stories of our journeys as a people and as a nation, but somehow along the way the stories of America’s African American, Latino, Asian, and Native American communities are erased or obscured as historians and preservationists tell the great American story. Read More
As I’ve read obsessively the news of campus protests these past few weeks and shared support for protesters both publicly on social media and privately in email conversations with college administrators, I’ve been challenged to think deeply about my position as both a public historian and a faculty member at a state university. Read More
Ashley Halsey Jr. was frustrated when the civil rights movement defeated the Lost Cause. The United States Civil War Centennial Commission had invited the Saturday Evening Post associate editor and Civil War buff to be the featured speaker at the 1961 centennial commemoration of the firing on Fort Sumter in his hometown of Charleston, South Carolina. Read More
Editor’s note: This post continues a series commemorating the anniversary of the National Historic Preservation Act by examining a past article published in The Public Historian, describing its significance and relating it to contemporary conversations in historic preservation.
The saga of the Locust Grove Cemetery, an African American burial ground in the small borough of Shippensburg, is one that is repeated across the commonwealth of Pennsylvania. Read More
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