Ask people what diversity within an organization or institution means and you’ll get many answers–responses so disparate, you wonder how anyone can identify a common thread or focus.
In 2015, the National Council on Public History created a Diversity Task Force to address the paucity of professionals of color engaged in public history in general and NCPH in particular. Read More
In 2008, the Journal of American History published a conversation among several historians regarding the future of digital history. William G. Thomas III said, “We might imagine a more proximate collaboration in which historians team up with [community] groups. The Web 2.0 movement might allow historians and the public to make history together rather than separately. Read More
From around the field this week: New Routledge textbook on public history practice; reflecting on a massacre in Memphis, Coventry/Dresden reconciliation project in London, and maritime memory in Massachusetts; in search of “the middle” for 2017 National Council on Public History conference. Read More
Mike Hollander is currently the acting museum director at the Wisconsin Historical Museum. He has been at the Wisconsin Historical Museum for five years and in his current position for nearly a year. Previously, Hollander was an associate curator at the Museum of Science and Industry in Chicago for four years, followed by two years as exhibitions manager at the Chicago Architecture Foundation. Read More
Digital technology has enabled public historians, cultural heritage professionals, and history students to collaborate with diverse audiences and explore history’s role in civic engagement in ways previously unimagined. The partnership between the Virtual City Project and the Restoration Group described by Andrew Hurley in “Chasing the Frontiers of Digital Technology: Public History Meets the Digital Divide” demonstrates the exciting possibilities as well as challenges advanced digital tools provide, especially in the face of limited budgets, long software development cycles, and varying levels of digital access. Read More
From around the field this week: Registration ends tomorrow for public history boot camp on collections assessment in Camden, New Jersey, U.S.; Visitor Studies Association takes on the Data Revolution; international symposium on Cultural Heritage Conservation and Digitization in Beijing; learning from LGBTQ lives in Oral History Review. Read More
Jan Dilg is an independent historian and the principal of HistoryBuilt, a historical consulting firm. She works with public agencies, non-profits, and historical organizations on a variety of public history programs, events, and products.
How did you first become involved in historical consulting?Read More
This past August, I went with a group of historians to see the much acclaimed, and now Grammy-winning, musical, Hamilton. Our timing was just right. The ticket prices were reasonable (for the Great White Way), costing nowhere near the astronomical sums people pay now. Read More
My transition from public history to teaching was unplanned. After twenty-five years of working for local, state and federal governments, museums, non-profits, and as a consultant, I was unemployed, cut loose, and drifting out of sight of the public history mother ship. Read More
Choosing to go into business for yourself means a willingness to ride the ebbs and flows of unpredictability. Some of those rides can be pretty challenging, and the start-up period is no doubt the first and perhaps the most daunting of them all. Read More
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