The “unconference” movement is barely a decade old (Tom Scheinfeldt noted in our capstone session that the first one he attended was in Silicon Valley in 2004) but it’s clear that for many people–perhaps particularly for public historians–it offers a welcome alternative to more formal conference formats. Read More
Each paragraph below presents a common public history work scenario that differs – a little or a lot – from traditional academy-based work. I am looking for comments, suggestions, alternative ideas, and specific examples of what is described. This was written as a centerpiece for a work session planned for the 2012 annual meeting, but is a topic that deserves widest possible exposure. Read More
Each paragraph below presents a common public history work scenario that differs – a little or a lot – from traditional academy-based work. I am looking for comments, suggestions, alternative ideas, and specific examples of what is described. This was written as a centerpiece for a work session planned for the 2012 annual meeting, but is a topic that deserves widest possible exposure. Read More
Maps are more than pieces of paper. They are stories, conversations, lives and songs lived out in a place and are inseparable from the political and cultural contexts in which they are used. (A. Warren, cited in Giacomo Rambaldi, “Who Owns the Map Legend?
The Toynbee Tiler’s main style, in Philadelphia’s Center City.
At its heart an exhibition is a display of objects, grouped together by a shared theme, style or message, and designed for public consumption. In the award-winning 2011 documentary Resurrect Dead: The Mystery of the Toynbee Tiles, four men from Philadelphia search for the creator of an idiosyncratic series of public art pieces that, in its consistency and repetition, can be seen as an exhibition. Read More
On my walk from the commuter rail station to Tufts University the other day, I was struck by a kind of instant stage set or living history environment or nostalgic theme park created by an organic food delivery truck trailer parked behind the Porter Square Shopping Center in Cambridge.
There’s no doubt that my favorite news story of the week is the one about policemen in Rome going undercover as tourists, garbage collectors, and–yes–gladiators in order to cool the jets of rival groups of real faux gladiators who pose for tourists’ photographs near the Roman Coliseum and elsewhere. Read More
Many unlikely and whimsical projects flourish on Twitter, the popular microblogging service just celebrating its fifth birthday. Big Ben strikes the hour (“bong bong bong”), encounters with near-earth objects are automatically updated (the most recent one missed the Earth by about three million kilometers), a parody account for a politician becomes a compelling scifi short story and the Field Museum’s T-Rex, Sue, turns out to have a wicked sense of humor. Read More
The process of gentrification is often linked with public history in varying ways. Urban planners and developers, for example, market neighborhoods through reference to their historic character, which can include anything from events that occurred in the far-distant past to interesting architecture. Read More
In this post, Vintage Roadside’s first for “Off the Wall,” we’d like to introduce ourselves by touching on our motivation for launching our preservation-themed business followed by a brief review of a symposium we presented this past summer on Aquarama, a wonderful 1960s mermaid attraction once found on Lake of the Ozarks in Osage Beach, Missouri. Read More
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