In recent years, the debate over immigration and migration to the United States has been especially pronounced, with calls to end “invasions” of “illegal immigrants” from Latin America, build a border wall, institute a “Muslim travel ban,” refuse refugees seeking asylum, and rescind birthright citizenship. Read More
In 1849, a community of black Philadelphians secured a plot of land devoted to preserving the rights of their dead kin—from dignified burial, to peaceful rest, to honorable remembrance. Lebanon Cemetery was an answer to the city’s expansive white-only cemeteries and a sanctuary from persistent racial terror and civil rights violations.Read More
On October 28, 2016, the editorial team of The Public Historian waited in a crisp windy dawn for the doors of the National Museum of African American History and Culture (NMAAHC) to open. Read More
Editors’ Note: This is the second part of a two-part editorial conversation on interpreting immigration in public history. Part 1 is available here.
AJL: How can public historians effectively take an intersectional approach to interpreting immigration? How can we bring different audiences and stakeholders together? Read More
Editors’ Note: Four years ago, outgoing NCPH president Bob Weyeneth called on public historians to “pull back the curtain” on their process. Turning topics of contemporary relevance into public history involves numerous collegial conversations which usually remain behind the scenes. The History@Work editors thought our readers might be interested in the following conversation prompted by Adina Langer’s development of a new exhibition at the Museum of History and Holocaust Education at Kennesaw State University. Read More
This is an exciting and anxiety-producing moment in the United States. It is a time when professional historians are stepping outside their classrooms and consulting practices to push for the removal of Confederate statues and for greater public dialogue about the roles that white supremacy played in the past and how it persists in our communities. Read More
In walking through the expo hall at the American Alliance of Museums (AAM) conference in May, a friend of mine and I came upon one of the vendor displays that showed the figure of an enslaved black man shackled to a pole and a grey (white) auctioneer figure standing as if to accept bids. Read More
Consider a public history project on a Jim Crow era black high school in North Carolina, staffed by a white professor and three dozen predominantly white students. Add a growing level of distrust between the private, rapidly expanding university from which the project emerged, and the poor, largely non-white, surrounding community that was the home neighborhood for this high school. Read More
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