Tag Archive
30 September 2020 – Jordan Meyerl and Katy Kole de Peralta
Editors’ Note: This is the third of three essays about the COVID-19 collaborative archiving project A Journal of the Plague Year: The COVID-19 Archive. The first essay introduces the project. The second provides insights into teaching the Archive. This one addresses issues related to archival silences. Read More
24 September 2020 – Juilee Decker and Cheryl Jiménez Frei
Editors’ Note: This is the second of three essays about the COVID-19 collaborative archiving project A Journal of the Plague Year: The COVID-19 Archive. The first essay introduces the project. The next will address issues related to archival silences. Read More
17 September 2020 – Rebecca S. Wingo
Editors’ Note: This is the first of three essays about the COVID-19 collaborative archiving project A Journal of the Plague Year: The COVID-19 Archive. The next two essays address teaching with the project and issues in archival silences. Read More
11 August 2020 – Tracy Neumann 1
Grassroots protest and union activism have flourished in the decade since the Great Recession. Labor and working-class history has flourished, too, and is experiencing a resurgent interest among scholars and public historians alike. At our particular historical moment, shaped by the COVID-19 pandemic and the Black Lives Matter protests against state violence and white supremacy, labor history provides context for urgent contemporary concerns about public health, workplace health and safety, economic inequality, structural racism, and social welfare. Read More
12 June 2020 – Krista McCracken, Kristin O'Brassill-Kulfan, and Nicole Belolan
As part of American Archives Month, for the second year in a row, History@Work will be running an October series dedicated to publicly-engaged work by archivists and librarians in the U.S. and abroad. This year, we are recruiting pitches related to the COVID-19 crisis. Read More
02 June 2020 – Nicolette Rohr
music history, rock history, commemoration series, archives, historic preservation, commemoration, popular culture
As I stood in a small room on Menlove Avenue in Liverpool, England, that had belonged to John Lennon, I bopped my head along to the Del-Vikings song playing, looked out at the blue suburban skies, and imagined John Lennon there, doing his dreaming, in this room at his Aunt Mimi’s. Read More
07 January 2020 – Lady Marie Bulilan and Alaina Scapicchio
What’s the right thing to wear to the Manuscript Reading Room in the Library of Congress? That question might seem trivial to those who have done archival research before, but it was a fairly big one for us as two undergraduates setting off on our first journey as research assistants. Read More
26 December 2019 – Sydney Johnson
Editor’s Note: This is the third and final post in a series on the Chicory Revitalization Project. The first post featured the history of the project and the second post considered digitization of the magazine.
During its nearly twenty-year run, Chicory’s contributors detailed their lives, struggles, and dreams with candor—grasping at fragmented ancestral ties, growing up in the projects, and creating alternate futures for their city. Read More
19 December 2019 – Mary Rizzo
Editor’s note: This is the second post in a three-part series on the Chicory Revitalization Project.
In my first post in this series, I argued that Chicory, a community poetry magazine from Baltimore in the 1960s, could be a valuable resource for public historians seeking the perspectives of regular people, particularly working-class African American young people, about the tumultuous era they lived through. Read More
12 December 2019 – Mary Rizzo
Editor’s Note: This is the first post in a three-part series on Baltimore’s Chicory Revitalization Project.
Following the assassination of Malcolm X in 1965, black visual artists, writers, dancers, musicians, actors, and poets conceptualized themselves as part of the Black Arts Movement, a black nationalist political and aesthetic project. Read More