Tag Archive
19 February 2014 – Jason Steinhauer 5
Continued from Part 1.
Unlike corporations that use historical images as a marketing strategy, museums, archives, libraries, and national historic sites are caretakers of history whose goal is not to distract from serious investigation but rather to promote it. We want people to understand context, to ask questions, and to dig deeper into sources. Read More
18 February 2014 – Jason Steinhauer 7
Suppose you’d never heard of @HistoryinPics, and I told you that a new social media account had grown to more than a million followers by featuring a different historical image in its feed every couple of hours.
As a public historian, you might be intrigued. Read More
11 November 2013 – Cathy Stanton 16
Continued from Part 1.
Purchasing carbon offsets, as most people probably know by now, involves giving a company an amount based on the carbon generated by your own activities. The company then invests the money in projects—building renewable energy projects, reforestation, energy efficiency measures, etc.—that Read More
04 November 2013 – Cathy Stanton 1
November 1 was the deadline for participants in next spring’s National Council on Public History conference to register in order to secure a place in the program. I’m guessing that that has gotten many of us thinking about flight and hotel arrangements. Read More
19 August 2013 – editors 12
training, funding, graduate students, new professionals, ethics, entrepreneurialism, profession, employment
A recent History@Work post by Matthew Exline prompted a lively discussion of the challenges of getting a foot in the door as a new public history professional. One topic that appeared several times in the many comments was the unpaid internship, and the opinions on it were divergent enough that we thought it was worth following up on them. Read More
13 February 2013 – David Rotenstein 2
Can you remember where you worked during graduate school? To pay my way through Penn in the 1980s and 1990s I worked in cultural resource management and as a freelance writer. Although history and material culture are my true professional loves, the writing gig was the more interesting, though less profitable, job. Read More