I’d never held a duck decoy in my hands before and certainly not one that was important enough to be in a museum’s collection. It was my first day as education curator at the Tuckerton Seaport Museum in Tuckerton, New Jersey, and along with Jackie Stewart, the director of the folklife center (it was her first day, too), I was organizing a small exhibit for the nature center. Read More
On July 17, Miami-Dade County Commissioners—several Cuban-Americans among them—approved a controversial plan to construct a Cuban Exile History Museum (CEHM) alongside Biscayne Bay. Few would deny the importance of the Cuban community to Miami’s rise from sleepy getaway to sprawling “gateway to the Americas.” Read More
Navigating copyright for images is tricky and presents one of the biggest challenges in my work as an Exhibitions Researcher at the Indiana Historical Society. Although I admit to only a rudimentary understanding of copyright, this is where open access comes in very handy. Read More
Thanks to the exponential increase in availability of digitized collections, possibilities in exhibit research have drastically expanded. Digital collections have become essential tools that help ensure the success of projects with limited budgets and tight deadlines, which most public historians might agree is just about every project. Read More
Editor’s Note: In “What I’ve Learned Along the Way: A Public Historian’s Intellectual Odyssey,” outgoing NCPH President Bob Weyeneth issued a call to action to public historians to include the public more fully in our work by “pulling back the curtain” on our interpretive process-how we choose the stories we tell.Read More
Editor’s Note: In “What I’ve Learned Along the Way: A Public Historian’s Intellectual Odyssey,” outgoing NCPH President Bob Weyeneth issued a call to actionto public historians to include the public more fully in our work by “pulling back the curtain” on our interpretive process—how we choose the stories we tell. Read More
Editor’s Note: In “What I’ve Learned Along the Way: A Public Historian’s Intellectual Odyssey,” outgoing NCPH President Bob Weyeneth issued a call to action to public historians to include the public more fully in our work by “pulling back the curtain” on our interpretive process—how we choose the stories we tell.Read More
Editor’s Note: In “What I’ve Learned Along the Way: A Public Historian’s Intellectual Odyssey,” outgoing NCPH President Bob Weyeneth issued a call to action to public historians to include the public more fully in our work by “pulling back the curtain” on our interpretive process—how we choose the stories we tell.Read More
Sonya Michel’s recent post brings the behind-the-scenes issues that have plagued the National Women’s History Museum (NWHM) project for years into public view. In 2012, when the Huffington Post reported “National Women’s History Museum Makes Little Progress in 16 Years,” it listed a catalog of concerns, from the overblown CV of the Chief Executive Officer (CEO) to financial irregularities. Read More
On May 7, the US House of Representatives overwhelmingly passed a bill authorizing the creation of a commission to explore the feasibility of establishing a women’s history museum on the National Mall. Yet many women’s historians and museum professionals are not celebrating. Read More
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