Tag Archive

sense of place

How we grow: Camping Con

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One of the best things about NCPH is its openness to experimenting with new approaches to fostering conversations among public historians and facilitating reflection about public history. The NCPH “mini-con” program of small, topically focused regional gatherings, supported with funding from the NCPH endowment, epitomizes this agile and creative spirit. Read More

The making of James Madison’s Montpelier’s “The Mere Distinction of Colour” Q&A: Part 6

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Editor’s Note: Want to know more about what it takes to develop an award-winning exhibition about the lives of enslaved people at a founding father’s historic site? We did, too! In this series, we will learn more about what went into the new permanent exhibition The Mere Distinction of Colour (MDOC) at James Madison’s Montpelier (JMM) in Virginia. Read More

The making of James Madison’s Montpelier’s “The Mere Distinction of Colour” Q&A: Part 5

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Editor’s Note: Want to know more about what it takes to develop an award-winning exhibition about the lives of enslaved people at a founding father’s historic site? We did, too! In this series, we will learn more about what went into the new permanent exhibition The Mere Distinction of Colour (MDOC) at James Madison’s Montpelier (JMM) in Virginia. Read More

The making of James Madison’s Montpelier’s “The Mere Distinction of Colour” Q&A: Part 4

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Editor’s Note: Want to know more about what it takes to develop an award-winning exhibition about the lives of enslaved people at a founding father’s historic site? We did, too! In this series, we will learn more about what went into the new permanent exhibition The Mere Distinction of Colour (MDOC) at James Madison’s Montpelier (JMM) in Virginia. Read More

The making of James Madison’s Montpelier’s “The Mere Distinction of Colour” Q&A: Part 3

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Editor’s Note: Want to know more about what it takes to develop an award-winning exhibition about the lives of enslaved people at a founding father’s historic site? We did, too! In this series, we will learn more about what went into the new permanent exhibition The Mere Distinction of Colour (MDOC) at James Madison’s Montpelier (JMM) in Virginia. Read More

Public histories of poverty

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In his Congressional Gold Medal acceptance speech from 2013, Dr. Muhammad Yunus quipped that one day “soon we will visit the museum to see poverty.” Given that public historians interpret and document other social ills in museums and historic sites— sexism, racism, homophobia, ableism—where does poverty and its attendant questions of class fit in our interpretive plans? Read More

The making of James Madison’s Montpelier’s “The Mere Distinction of Colour” Q&A: Part 2

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Editor’s Note: Want to know more about what it takes to develop an award-winning exhibition about the lives of enslaved people at a founding father’s historic site? We did, too! In this series, we will learn more about what went into the new permanent exhibition The Mere Distinction of Colour (MDOC) at James Madison’s Montpelier (JMM) in Virginia. Read More

Working with competing histories

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As historians working in the field, consultants often see value in objects, buildings, landscapes, and locations that may be overlooked by the general public. Living in a community, people can pass a place daily without knowing anything about its history. Or they may have heard the cursory basics—facts that tie it to a major person or event in the town or region. Read More