Longer than the Olympics and arguably as prestigious, the most attended sporting event on earth is the Tour de France, which meanders through more than 2,000 miles of Europe’s most picturesque and challenging terrain. One cannot divorce the race from the surrounding cultural heritage and history. Read More
Editor’s Note: This post is part of a special online section accompanying issue 37 (2) of The Public Historian, guest edited by Lisa Junkin Lopez, which focuses on the future of historic house museums. The contributions in this section highlight the voices of artists who engage with historic house museums as sites of research, exhibition, and social practice.Read More
“As I settle in a place, the place settles me.” Juhani Pallasmma, Forum Journal (Spring 2015)
More than fifteen months ago, my colleague at the National Trust for Historic Preservation, Tom Mayes, embarked on a journey. For six months, he lived at the American Academy in Rome researching and thinking about one of the most central tenets of our profession: Why Do Old Places Matter?Read More
The summer before last, I found myself driving around the back roads of DeSmet, South Dakota, with people I barely knew but with whom I felt a kinship based on our mutual devotion to Laura Ingalls Wilder and her Little House books. Read More
Editor’s Note: The May issue of The Public Historian will explore the future of historic house museums. Historic houses are struggling to survive in the 21st century, but as Bill Adair and Laura Koloski describe, some are experimenting with strategies that are making old houses new again.
Editor’s note: This piece is part one of a special online section accompanying issue 37(2) of The Public Historian, guest edited by Lisa Junkin Lopez, which focuses on the future of historic house museums. The contributions in this section highlight the voices of artists who engage with historic house museums as sites of research, exhibition, and social practice.Read More
Hardball history that places historians at the center of politics, advocacy, and activism can be a difficult journey, but it can also be inspiring. My introduction to public history coincided with the 2006 unveiling of a controversial downtown revitalization plan in the city of El Paso, Texas. Read More
“You know who has money to help you.” I responded to this truth by listing three millionaires from whom I would not accept funding for Museo Urbano, the public history project housed in the Department of History at the University of Texas at El Paso (UTEP). Read More
Over the past few years, I have been writing about gentrification and how it intersects with history in an Atlanta, Georgia, suburb. Twenty-five months and more than 50 interviews after I started talking with people and documenting neighborhood change in the Oakhurst area of Decatur, I met playwright Valetta Anderson, who works at Atlanta’s Woodruff Arts Center. Read More
As well as trying to convey a sense of these enslaved workers as people, the team of graduate students working on the “Slavery at South Carolina College” website also sought to connect this history to the physical landscape. Read More
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