Tag Archive
11 January 2017 – History Relevance Executive Committee
The value of history–both understanding historical events and the process by which we analyze them–has been demonstrated many times in 2016. The skill at the very core of the research process, critical thinking, cannot be overemphasized in today’s society. Evidenced-based inquiry and discussion is more important than ever. Read More
08 September 2016 – Joseph Locke and Ben Wright
The American Yawp, the profession’s first multi-authored open textbook, contains thirty chapters and almost 300,000 words. It covers everything from indigenous creation stories to Instagram. How, with historical input accelerating and the scope of scholarship expanding, could any individual or small group of historians hope to capture the breadth of American history and to do so as expansively as a textbook demands? Read More
26 July 2016 – Hillel Arnold and Laura Miller 6
The staff of the Rockefeller Archive Center recently organized a reading group that meets once a month to discuss a set of readings related to archival and historical practice. The RAC is a repository of historical materials and a research center dedicated to the study of philanthropy and civil society. Read More
20 June 2016 – Meghan Hillman
It’s that time again! Summer at the National Council on Public History means that the Program Committee has started the process of selecting content for our 2017 annual meeting. Two months ago we opened up our Call for Proposals for next year’s meeting in Indianapolis, Indiana, with the theme “The Middle: Where did we come from? Read More
27 April 2016 – Jason Steinhauer 7
When I put the words “history” and “communication” together nearly two years ago, I never imagined it would elicit as much discussion and controversy as it has. Some have asked whether history communication is just public history—or an extension of public history. Read More
04 January 2016 – Jason Steinhauer 1
In January 2015, I introduced the idea of History Communicators on this blog. “History Communicators, like Science Communicators,” I wrote then, “will advocate for policy decisions informed by historical research; step beyond the walls of universities and institutions and participate in public debates; author opinion pieces; engage in conversation with policymakers and the public; and work diligently to communicate history in a populist tone that has mass appeal across print, video, and audio. Read More
03 December 2015 – Pete Anderson 1
In early October, a group of active historians met in London, Ontario, to discuss the future of their project. Active history seeks to strengthen the connection between the past and the present, often intervening in contemporary policy and cultural debates. Read More
24 November 2015 – Kathy Shinnick
As public history consultants, we are spread all over the nation. We complete projects in small towns, back rooms of museums, major cities, and community organizations. We come together one time a year at the National Council for Public History’s annual conference. Read More
17 November 2015 – Anna Tucker 7
As museums increasingly become spaces for engaging challenging topics, three metro Atlanta institutions joined together to address a century-old rift in the community. Using expanded audiences, a shared strategic mission, and a network of public historians, the Southern Museum of Civil War and Locomotive History forged a partnership with the William Breman Jewish Heritage Museum and the Museum of History and Holocaust Education to present the exhibit, “Seeking Justice: The Leo Frank Case Revisited.” Read More
17 September 2015 – editors
collaboration, community history, digital history, digital media, memory, projects, public engagement
The Lost Stories Project seeks out little-known stories about the Canadian past, transforms them into inexpensive works of public art installed on appropriate sites, and documents the process by way of a series of short films. Along the way, forgotten moments from Canadian history come to light, and viewers have an opportunity to see the choices made when a story transforms into a work of art. Read More