Editor’s Note: This post is the first in a series of three describing the experiences of staff and interns participating in a new virtual internship program at the Museum of History and Holocaust Education (MHHE) at Kennesaw State University, created as a response to the COVID-19 pandemic.Read More
Editors’ Note: This is one in a series of posts about the intersection of archives and publichistory in the age of COVID-19 that will be published throughout October, Archives Month in the United States. This series is edited by National Council on Public History (NCPH) board member Krista McCracken, History@Work affiliate editor Kristin O’Brassill-Kulfan, and NCPH The Public Historian co-editor/Digital Media Editor Nicole Belolan.Read More
Editor’s note: this is the second in a two-part series based on a conversation between our Digital Media Editor, Nicole Belolan, and Jessica Martucci, a researcher at the Science History Institute in Philadelphia, Pennsylvania.
NB: How do you think this project defines or redefines disability, and who does the defining?Read More
Editor’s note: this is the first in a two-part series based on a conversation between our Digital Media Editor, Nicole Belolan, and Jessica Martucci, a researcher at the Science History Institute in Philadelphia, Pennsylvania.
Nicole Belolan: Before we delve into the Science and Disability project, tell us about the Science History Institute (including its recent name change) and your position.Read More
Editors’ Note: This post is part of a History@Work series that complements The Public Historian, volume 40, number 3, which is about the history of the field of Black Museums. This is part 2 of a two-part post written by educators at Atlanta’s APEX Museum: African American Panoramic Experience and Historic Oakland Cemetery, with questions posed by History@Work editor Adina Langer (AL) and answers given by Deborah Strahorn (DS) of APEX Museum and Marcy Breffle (MB) of Historic Oakland Cemetery.Read More
Editors’ Note: This post is part of a History@Work series that complements The Public Historian volume 40, number 3, which is about the history of the field of Black Museums. The piece, written by educators at Atlanta’s APEX Museum: African American Panoramic Experience and Historic Oakland Cemetery, considers the collaboration between these two institutions around the interpretation of African American history within the context of the emergence of the field of Black Museums described in Jeff Hayward and Christine Larouche’s article “The Emergence of the Field of African American Museums” and African American history more generally.Read More
Editor’s Note: This is the second in a series of reflective posts written by winners of awards given out at the NCPH 2019 annual meeting in Hartford, Connecticut. Sonya Laney received the New Professional award.
In 1902, Charlotte Hawkins Brown took the train from her home in Cambridge, Massachusetts to the rural town of Sedalia, North Carolina. Read More
In a February blog post for History@Work, Kristin O’ Brassill-Kulfan asked public historians to think about the presentation of poverty in museum settings. That same month, the Wood County Historical Center (WCHC) in Bowling Green, Ohio opened a new exhibit titled For Comfort and Convenience: Public Charity in Ohio By Way of the Poor Farm. Read More
Army nurse Norma J. Griffiths-Boris returned from Vietnam not just with haunting memories of unpreventable death—smells of burned flesh, sights of traumatic head wounds—but also with a powerful impression of her non-traditional work environment. At war, she and fellow nurses held positions of authority. Read More
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