Tag Archive

museums

The making of James Madison’s Montpelier’s “The Mere Distinction of Colour” Q&A: Part 3

, , , , , , , , , , , ,

Editor’s Note: Want to know more about what it takes to develop an award-winning exhibition about the lives of enslaved people at a founding father’s historic site? We did, too! In this series, we will learn more about what went into the new permanent exhibition The Mere Distinction of Colour (MDOC) at James Madison’s Montpelier (JMM) in Virginia. Read More

Public histories of poverty

, , , , ,

In his Congressional Gold Medal acceptance speech from 2013, Dr. Muhammad Yunus quipped that one day “soon we will visit the museum to see poverty.” Given that public historians interpret and document other social ills in museums and historic sites— sexism, racism, homophobia, ableism—where does poverty and its attendant questions of class fit in our interpretive plans? Read More

The making of James Madison’s Montpelier’s “The Mere Distinction of Colour” Q&A: Part 2

, , , , , , , , , , , ,

Editor’s Note: Want to know more about what it takes to develop an award-winning exhibition about the lives of enslaved people at a founding father’s historic site? We did, too! In this series, we will learn more about what went into the new permanent exhibition The Mere Distinction of Colour (MDOC) at James Madison’s Montpelier (JMM) in Virginia. Read More

The making of James Madison’s Montpelier’s “The Mere Distinction of Colour” Q&A: Part 1

, , , , , , , , , , , ,

Editor’s Note: Want to know more about what it takes to develop an award-winning exhibition about the lives of enslaved people at a founding father’s historic site? We did, too! In this series, we will learn more about what went into the new permanent exhibition “The Mere Distinction of Colour” (MDOC) at James Madison’s Montpelier (JMM) in Virginia. Read More

A long journey to the Washington Mall

, , , , , ,

Editor’s note: We publish TPH editor James F. Brooks’s introduction to the August 2018 issue of The Public Historian. The entire issue is available online to National Council on Public History members.

On October 28, 2016, the editorial team of The Public Historian waited in a crisp windy dawn for the doors of the National Museum of African American History and Culture (NMAAHC) to open. Read More

Project Showcase: Playing with Innovation

, , , ,

When most people think of computer games they imagine something electronic with far more sophistication than the cardboard and plastic games played around a kitchen table. An ongoing exhibit hosted by the Sarnoff Collection at The College of New Jersey in Ewing, New Jersey takes visitors back to a time when computer games had far more in common with Monopoly than with Minecraft. Read More

Making meaning from ashes—the development of the Victorian Bushfires Collection

, , , , ,

Editor’s note: This is the fifth post of a series that continues the conversation begun in the February 2018 issue of The Public Historian with the roundtable “Responding Rapidly to Our Communities.”

The Black Saturday Bushfires are the worst natural disaster in Australia’s recorded history. Read More

Pop-up Ofrenda: Interactive Remembrance and Healing

, , , , , ,

Editor’s note: This is the fifth in a series of pieces  focused on Las Vegas and its regional identity which will be posted before and during the NCPH annual meeting in Las Vegas in April.

As discussed in yesterday’s post, the Las Vegas shooting happened a month before Day of the Dead. Read More

Preserving the history of the mob in Las Vegas

, , , , , , , , ,

Editor’s note: This is the third in a series of pieces  focused on Las Vegas and its regional identity which will be posted before and during the NCPH Annual Meeting in Las Vegas in April.

If NCPH members want proof that the mob no longer has power in the city hosting their conference this year, try to find a 99-cent rib special. Read More