On October 28, 2016, the editorial team of The Public Historian waited in a crisp windy dawn for the doors of the National Museum of African American History and Culture (NMAAHC) to open. Read More
When most people think of computer games they imagine something electronic with far more sophistication than the cardboard and plastic games played around a kitchen table. An ongoing exhibit hosted by the Sarnoff Collection at The College of New Jersey in Ewing, New Jersey takes visitors back to a time when computer games had far more in common with Monopoly than with Minecraft. Read More
Editor’s note: This is the fifth in a series of pieces focused on Las Vegas and its regional identity which will be posted before and during the NCPH annual meeting in Las Vegas in April.
As discussed in yesterday’s post, the Las Vegas shooting happened a month before Day of the Dead. Read More
Editor’s note: This is the third in a series of pieces focused on Las Vegas and its regional identity which will be posted before and during the NCPH Annual Meeting in Las Vegas in April.
If NCPH members want proof that the mob no longer has power in the city hosting their conference this year, try to find a 99-cent rib special. Read More
Recently I ended a trip to Canada a bit jealous that Canadians have figured out how to give history a national spotlight, something that has proven more elusive in the United States. While we do find ways to award excellence in history, they are not concentrated and diverse and on such a national stage. Read More
In walking through the expo hall at the American Alliance of Museums (AAM) conference in May, a friend of mine and I came upon one of the vendor displays that showed the figure of an enslaved black man shackled to a pole and a grey (white) auctioneer figure standing as if to accept bids. Read More
As I made my way through the National Museum of African American History and Culture’s five floors of exhibitions, it was the museum’s effective use of objects to convey both individual and collective narratives and big ideas about history that most impressed me. Read More
The first time I tried to visit the National Museum of African American History and Culture, my friends and I got only as far as the grassy area on the Constitution Ave. side of the building. Less than a month after the museum’s grand opening in September 2016, the feeling around the David Adjaye-designed masterpiece that Sunday was electric. Read More
Paul Chaat Smith joined the Smithsonian’s National Museum of the American Indian in 2001, where he currently serves as associate curator. With Robert Warrior, he is the author of Like a Hurricane: The Indian Movement from Alcatraz to Wounded Knee (New Press, 1996), a standard text in Native Studies and American history courses.Read More
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