Hamilton: The Musical: Blacks and the founding fathers

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This past August, I went with a group of historians to see the much acclaimed, and now Grammy-winning, musical, Hamilton. Our timing was just right. The ticket prices were reasonable (for the Great White Way), costing nowhere near the astronomical sums people pay now. Read More

Meeting our audiences where they are in the digital age

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In his article, “Chasing the Frontiers of Digital Technology: Public History Meets the Digital Divide,” Andrew Hurley does the public history community a great service. He does more than tell us a cautionary tale about rushing headlong into digital approaches to public history and leaving target audiences behind. Read More

Around the field March 29, 2016

newspaper-in-fieldFrom around the field this week: 20 years after Raphael Samuel’s death, a commemorative conference in London on radical histories; interdisciplinary symposium in Beijing explores the intertwined terms “vernacular” and “heritage”; Texas material culture symposium focuses on transition and change. Read More

The public history of the Flint water crisis (Part 2)

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A personal perspective on the Flint water crisis

My thoughts on the Flint water crisis stem from a personal perspective, as well as my academic interests in deindustrialization, African American history, and heritage tourism. When I was two years old, my dad was offered a job as a reference librarian at the University of Michigan-Flint. Read More

History and performance: Hamilton: An American Musical

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Public historians have spent a good deal of time looking at how history is performed in museums and living history sites, in reenactments, and on film and television. Theatre, opera, and musicals have received far less attention, and one reason for this might be that these forms of representation are often thought of as elitist.[1] Read More