Several years ago, on a visit to the Levine Museum of the New South in Charlotte, North Carolina, I encountered an exhibit that asked me to participate. No, this was not high tech. No selfies, no QR codes, no downloads, just pencil and paper–yellow sticky notes. Read More
The American Yawp, the profession’s first multi-authored open textbook, contains thirty chapters and almost 300,000 words. It covers everything from indigenous creation stories to Instagram. How, with historical input accelerating and the scope of scholarship expanding, could any individual or small group of historians hope to capture the breadth of American history and to do so as expansively as a textbook demands? Read More
When I put the words “history” and “communication” together nearly two years ago, I never imagined it would elicit as much discussion and controversy as it has. Some have asked whether history communication is just public history—or an extension of public history. Read More
Digital technology has enabled public historians, cultural heritage professionals, and history students to collaborate with diverse audiences and explore history’s role in civic engagement in ways previously unimagined. The partnership between the Virtual City Project and the Restoration Group described by Andrew Hurley in “Chasing the Frontiers of Digital Technology: Public History Meets the Digital Divide” demonstrates the exciting possibilities as well as challenges advanced digital tools provide, especially in the face of limited budgets, long software development cycles, and varying levels of digital access. Read More
Jan Dilg is an independent historian and the principal of HistoryBuilt, a historical consulting firm. She works with public agencies, non-profits, and historical organizations on a variety of public history programs, events, and products.
How did you first become involved in historical consulting?Read More
My transition from public history to teaching was unplanned. After twenty-five years of working for local, state and federal governments, museums, non-profits, and as a consultant, I was unemployed, cut loose, and drifting out of sight of the public history mother ship. Read More
My recent review of the Georgia Social Studies Standards, as part of my work at the Museum of History and Holocaust Education, galvanized my desire to reflect on the importance of the Broadway musical, Allegiance, which tells the story in fictionalized form of George Takei’s family’s experience in internment camps during World War II. Read More
In January 2015, I introduced the idea of History Communicators on this blog. “History Communicators, like Science Communicators,” I wrote then, “will advocate for policy decisions informed by historical research; step beyond the walls of universities and institutions and participate in public debates; author opinion pieces; engage in conversation with policymakers and the public; and work diligently to communicate history in a populist tone that has mass appeal across print, video, and audio. Read More
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