Tag Archive
05 December 2016 – Andrea Jones
Editor’s note: This is the first of a series of blog posts commissioned by The Public Historian on the topic of history and the interpretation of climate change in the national parks, extending the conversation on history in the national parks during this centennial year begun in its November 2016 issue. Read More
17 November 2016 – James F. Brooks
Editor’s note: We publish TPH editor James Brooks’s introduction to the November 2016 issue of The Public Historian. The entire issue is available online to National Council on Public History members. Readers can also find a blog post on one of the essays on the University of California Press site. Read More
20 October 2016 – Tammy Gaskell
On October 15, 1966, President Lyndon B. Johnson signed the National Historic Preservation Act (NHPA) into law and formally established historic preservation as a priority of the federal government. Since that time, individuals and communities across the nation have used the structures and powers it established, such as the National Register, state and tribal preservation offices, and the Section 106 review process, to both draw attention to important and threatened places significant to our local, state, and national stories and to preserve those places so that future generations will also be able to connect with the stories that they hold. Read More
29 August 2016 – James F. Brooks
Editor’s note: We publish TPH editor James Brooks’s introduction to the August 2016 issue of The Public Historian. This digital version of the piece differs slightly from the print edition. The entire issue is available online to National Council on Public History members. Read More
10 June 2016 – Lyra D. Monteiro
public engagement, race, The Public Historian, theater, TPH 38.1, "Race-Conscious Casting and the Erasure of the Black Past in Lin-Manuel Miranda’s Hamilton" responses
In the four months since my review of Hamilton: An American Musical was first published in The Public Historian, my ideas have been met with a wide variety of reactions.
This blog published four responses to the piece, including one by Annette Gordon-Reed, who wrote that my review was an expression of “our duty to use what we know of history and culture to comment” on artistic explorations of the past. Read More
25 May 2016 – James F. Brooks
Editor’s note: We publish TPH editor James Brooks’s introduction to the May 2016 issue of The Public Historian. This digital version of the piece differs slightly from the print edition. The entire issue is available online to National Council on Public History members. Read More
20 April 2016 – Lara Kelland
public engagement, community history, digital history, The Public Historian, TPH 38.1, digital divide, "Chasing the Frontiers of Digital Technology" responses
In 2008, the Journal of American History published a conversation among several historians regarding the future of digital history. William G. Thomas III said, “We might imagine a more proximate collaboration in which historians team up with [community] groups. The Web 2.0 movement might allow historians and the public to make history together rather than separately. Read More
13 April 2016 – Deborah Boyer 1
digital media, methods, public engagement, digital history, social media, The Public Historian, TPH 38.1, "Chasing the Frontiers of Digital Technology" responses
Digital technology has enabled public historians, cultural heritage professionals, and history students to collaborate with diverse audiences and explore history’s role in civic engagement in ways previously unimagined. The partnership between the Virtual City Project and the Restoration Group described by Andrew Hurley in “Chasing the Frontiers of Digital Technology: Public History Meets the Digital Divide” demonstrates the exciting possibilities as well as challenges advanced digital tools provide, especially in the face of limited budgets, long software development cycles, and varying levels of digital access. Read More
06 April 2016 – Annette Gordon-Reed 14
race, The Public Historian, theater, TPH 38.1, "Race-Conscious Casting and the Erasure of the Black Past in Lin-Manuel Miranda’s Hamilton" responses
This past August, I went with a group of historians to see the much acclaimed, and now Grammy-winning, musical, Hamilton. Our timing was just right. The ticket prices were reasonable (for the Great White Way), costing nowhere near the astronomical sums people pay now. Read More
30 March 2016 – David Hochfelder
public engagement, community history, digital history, The Public Historian, TPH 38.1, digital divide, "Chasing the Frontiers of Digital Technology" responses
In his article, “Chasing the Frontiers of Digital Technology: Public History Meets the Digital Divide,” Andrew Hurley does the public history community a great service. He does more than tell us a cautionary tale about rushing headlong into digital approaches to public history and leaving target audiences behind. Read More