Letters from Chile: A dead dictator's homage, a public history movement (Part 2)

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/continued from Part I

At the outset of this series, I proposed two seemingly simple questions in hopes of unpacking the complexity of sites of memory and how they “engage citizens in human rights issues” vis-à-vis the past.  What type of historic work is taking place?  Read More

Letters from Chile: A dead dictator's homage, a public history movement (Part 1)

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This past Sunday, June 10, the right-wing Corporation 11 de Septiembre held an homage to the dead dictator Augusto Pinochet under the auspices of a documentary screening at the iconic Teatro Caupolican in Santiago Centro. That day it was answered and challenged in sometimes violent ways by diverse sectors of society and weeks before when many of Santiago’s notably non-violent human rights organizations and sites of memory maneuvered to use legal and political recourse to prevent a ceremony that celebrated a leader infamous for overseeing an era of human rights violations. Read More

Love Letters to Philadelphia: Gendering an urban brand (Part 1)

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Founded in 1984 to combat graffiti, Philadelphia’s Mural Arts Program replaced tags and bubble letters with larger-than-life murals that were designed collaboratively by community members and professional artists, becoming one of the most influential public arts organizations of its kind. Since that time, more than 3,000 murals—memorializing famous Philadelphians, commemorating immigration and migration stories, and acknowledging groups ranging from veterans to people with disabilities—have put a visual face on many neighborhoods, identifying and crystallizing their unique character.[1] Read More

The networked consultant: Using social media, Part II

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social media iconsIn my previous post I discussed the value of using social networking platforms for networking. In this post, I will discuss how to use social media for marketing by focusing on building an awareness of your “brand.” Social media provides an opportunity to present yourself and your business to diverse audiences in diverse ways. Read More

Thinking like a community: Beyond shared authority

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conference posterI recently attended an event in Boston’s South End neighborhood called “Sharing our Stories: The Power of Place,” a sensational evening sponsored by the Tenants Development Corporation, Inc. and the Center for Art and Community Partnershipsat the Massachusetts College of Art and DesignRead More

A consultant in the field: Mining history in the West

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As a historical consultant working primarily in litigation support, my work usually takes me deep inside the archives. But sometimes, the only way to truly understand the land you’re studying is to see it up close and in person.  Last summer, in order to get a better grasp of the vast landscape I’d been researching for two years, I took to Idaho’s backcountry in an area bordering the Frank Church River of No Return Wilderness. Read More

Developing public history at a community college

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As a professor at a community college, I am typically absorbed in teaching, focused on my classes and students–as many as five classes and upwards of 120-150 students per semester.  But recently, I’ve been increasingly engaged  in public history by way of developing an associate’s degree program in the field and through involvement in other activities, including the utilization of a restored 1808 manor house on campus, which was the centerpiece of a horse farm when the region had a thriving thoroughbred racing and breeding industry.  Read More

From the entry level: Five tips for new public historians

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start labelWhen I graduated in 2009 from Texas State University with my Master’s degree in public history, I could not wait to go out into the world to apply the knowledge that I had gained while in school. Last year, I was invited back to my alma mater to speak to an Introduction to Public History class about my work and how my degree has helped. Read More