A big house. Stately trees. Curious outbuildings. In 1905, Pennsylvania-born tourist Matilda Kessinger marveled at the landscape before her, “something one always reads about but never sees.” After 18 years of traveling the South, Kessinger had finally found the one place that lived up to her romantic ideals of an antebellum plantation. Read More
Editors’ Note: This working group session did not take place in Atlanta as described below, but the National Council on Public History working group Challenging White Public History is still active and working on deliverables. They plan to report back soon on their ongoing virtual activities.Read More
It was a hot, scalding day in Georgia, and I was traveling to a large plantation southwest of town to photograph a wedding. When I arrived at the former plantation, there was a long driveway which led to the Big House—a prominent white structure at the center of the property. Read More
Editor’s Note: This is the second in a series of posts from members of the Local Arrangements Committee for the NCPH 2020 annual meeting which will take place from March 18 through March 21 in Atlanta, Georgia.
“A city lay in travail, God our Lord, and from her loins sprang twin Murder and Black Hate. Read More
Editor’s Note: This is the first in a series of posts from members of the Local Arrangements Committee for the NCPH 2020 annual meeting which will take place from March 18th through March 21st in Atlanta, Georgia.
Like many sunbelt cities, Atlanta’s origins are more engineered than organic. Read More
Editor’s Note: This is the third and final post in a series on the Chicory Revitalization Project. The first post featured the history of the project and the second post considered digitization of the magazine.
During its nearly twenty-year run, Chicory’s contributors detailed their lives, struggles, and dreams with candor—grasping at fragmented ancestral ties, growing up in the projects, and creating alternate futures for their city. Read More
Editor’s note: This is the second post in a three-part series on the Chicory Revitalization Project.
In my first post in this series, I argued that Chicory, a community poetry magazine from Baltimore in the 1960s, could be a valuable resource for public historians seeking the perspectives of regular people, particularly working-class African American young people, about the tumultuous era they lived through. Read More
Editor’s Note: This is the first post in a three-part series on Baltimore’s Chicory Revitalization Project.
Following the assassination of Malcolm X in 1965, black visual artists, writers, dancers, musicians, actors, and poets conceptualized themselves as part of the Black Arts Movement, a black nationalist political and aesthetic project. Read More
Editors’ Note: This is one in a series of posts about the intersection of archives and public history that will be published throughout October, or Archives Month in the United States. This series is edited by National Council on Public History (NCPH) board member Krista McCracken, History@Work affiliate editor Kristin O’Brassill-Kulfan, and NCPH The Public Historian co-editor/Digital Media Editor Nicole Belolan.Read More
Editors’ Note: When the Equal Justice Initiative (EJI) opened the Legacy Museum and the National Memorial for Peace and Justice in Montgomery, Alabama, in April 2018, grassroots Community Remembrance was built into the project’s DNA. This Q&A between History@Work lead editor Adina Langer and Kayla Duncan discusses the work of the Fulton County Remembrance Coalition, an organization in Fulton County, Georgia, dedicated to earning an EJI-designated monument for Fulton County. Read More
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