Editor’s Note: This is the first in a series of posts from members of the Local Arrangements Committee for the NCPH 2020 annual meeting which will take place from March 18th through March 21st in Atlanta, Georgia.
Like many sunbelt cities, Atlanta’s origins are more engineered than organic. Read More
Editor’s Note: This is the third and final post in a series on the Chicory Revitalization Project. The first post featured the history of the project and the second post considered digitization of the magazine.
During its nearly twenty-year run, Chicory’s contributors detailed their lives, struggles, and dreams with candor—grasping at fragmented ancestral ties, growing up in the projects, and creating alternate futures for their city. Read More
Editor’s note: This is the second post in a three-part series on the Chicory Revitalization Project.
In my first post in this series, I argued that Chicory, a community poetry magazine from Baltimore in the 1960s, could be a valuable resource for public historians seeking the perspectives of regular people, particularly working-class African American young people, about the tumultuous era they lived through. Read More
Editor’s Note: This is the first post in a three-part series on Baltimore’s Chicory Revitalization Project.
Following the assassination of Malcolm X in 1965, black visual artists, writers, dancers, musicians, actors, and poets conceptualized themselves as part of the Black Arts Movement, a black nationalist political and aesthetic project. Read More
Editors’ Note: This is one in a series of posts about the intersection of archives and public history that will be published throughout October, or Archives Month in the United States. This series is edited by National Council on Public History (NCPH) board member Krista McCracken, History@Work affiliate editor Kristin O’Brassill-Kulfan, and NCPH The Public Historian co-editor/Digital Media Editor Nicole Belolan.Read More
Editors’ Note: When the Equal Justice Initiative (EJI) opened the Legacy Museum and the National Memorial for Peace and Justice in Montgomery, Alabama, in April 2018, grassroots Community Remembrance was built into the project’s DNA. This Q&A between History@Work lead editor Adina Langer and Kayla Duncan discusses the work of the Fulton County Remembrance Coalition, an organization in Fulton County, Georgia, dedicated to earning an EJI-designated monument for Fulton County. Read More
Editors’ Note: This is one post in a series of posts about the intersection of archives and public history that will be published throughout October, or Archives Month in the United States. This series is edited by National Council on Public History (NCPH) board member Krista McCracken, History@Work affiliate editor Kristin O’Brassill-Kulfan, and NCPH The Public Historian co-editor/Digital Media Editor Nicole Belolan.Read More
Like many of my friends and colleagues, I’ve been reflecting on the work of journalist Tony Horwitz, who died suddenly on May 27th. Horwitz’s 1998 book, Confederates in the Attic: Dispatches from the Unfinished Civil War, had a profound impact on American popular culture, public history, and on my own personal and professional life. Read More
Editors’ Note: This post is part of a History@Work series that complements “The Public Historian,” volume 40, number 3, which is about the history of the field of Black Museums.
Entertainment and music are a big piece of Asbury Park’s history. Read More
Editors’ Note: This post is part of a History@Work series that complements The Public Historian, volume 40, number 3, which is about the history of the field of Black Museums. This is part 2 of a two-part post written by educators at Atlanta’s APEX Museum: African American Panoramic Experience and Historic Oakland Cemetery, with questions posed by History@Work editor Adina Langer (AL) and answers given by Deborah Strahorn (DS) of APEX Museum and Marcy Breffle (MB) of Historic Oakland Cemetery.Read More
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