Editors’ Note: This is one post in a series of posts about the intersection of archives and public history that will be published throughout October, or Archives Month in the United States. This series is edited by National Council on Public History (NCPH) board member Krista McCracken, History@Work affiliate editor Kristin O’Brassill-Kulfan, and NCPH The Public Historian co-editor/Digital Media Editor Nicole Belolan.Read More
Like many of my friends and colleagues, I’ve been reflecting on the work of journalist Tony Horwitz, who died suddenly on May 27th. Horwitz’s 1998 book, Confederates in the Attic: Dispatches from the Unfinished Civil War, had a profound impact on American popular culture, public history, and on my own personal and professional life. Read More
Editors’ Note: This post is part of a History@Work series that complements “The Public Historian,” volume 40, number 3, which is about the history of the field of Black Museums.
Entertainment and music are a big piece of Asbury Park’s history. Read More
Editors’ Note: This post is part of a History@Work series that complements The Public Historian, volume 40, number 3, which is about the history of the field of Black Museums. This is part 2 of a two-part post written by educators at Atlanta’s APEX Museum: African American Panoramic Experience and Historic Oakland Cemetery, with questions posed by History@Work editor Adina Langer (AL) and answers given by Deborah Strahorn (DS) of APEX Museum and Marcy Breffle (MB) of Historic Oakland Cemetery.Read More
Many history teachers utilize editorial cartoons as vivid historical sources that succinctly encapsulate a range of viewpoints on a topic. Famous examples include the work of Thomas Nast at Harper’s Weekly and John Tenniel at Punch. The perspectives of editorial cartoonists in major cities such as New York, however, did not always illustrate the viewpoints of other parts of the country. Read More
Editor’s Note: This is the second in a series of reflective posts written by winners of awards given out at the NCPH 2019 annual meeting in Hartford, Connecticut. Sonya Laney received the New Professional award.
In 1902, Charlotte Hawkins Brown took the train from her home in Cambridge, Massachusetts to the rural town of Sedalia, North Carolina. Read More
Editors’ Note: This post is part of a History@Work series that complements The Public Historian, volume 40, number 3, which is about the history of the field of Black Museums.
There are multiple paths to the collaborations we value as historical interpreters and practitioners. Read More
Editor’s Note: This is the first in a series of reflective posts written by winners of awards given out at the NCPH 2019 annual meeting in Hartford, Connecticut. Josh Howard of Passel Historical Consulting received the individual “Excellence in Consulting” award.Read More
Editor’s note: This is the third in a series of pieces focused on Hartford and its regional identity which will be posted before and during the NCPH Annual Meeting in Hartford, Connecticut in March.
Growing up in eastern Connecticut, my thoughts of Hartford were a mix of positives and negatives.Read More
In January, History@Work published Heather Carpini’s important essay on competing histories. Carpini’s appeal for historians to dig “deeper, past the obvious sources, into the lives of the people who shaped, and were shaped by, a certain place” is an essential call to action. Read More
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