Tag Archive
18 December 2014 – Ciara Cronin
From art museums collecting Instagram posts for mobile photography exhibits to natural history museums getting visitors to actively participate in digitizing their collections or museums using crowdfunding sites like Kickstarter, Indiegogo, and Causevox to raise funds for special projects and exhibits, crowdsourcing is becoming increasingly prevalent in heritage and cultural institutions. Read More
26 November 2014 – Priya Chhaya
Earlier this year the Indian American Heritage Project at the Smithsonian launched its inaugural exhibition Beyond Bollywood. Housed in a gallery at the National Museum of Natural History through March 2015, the exhibition “explores the heritage, daily experience and numerous, diverse contributions that Indian immigrants and Indian Americans have made to shaping the United States.” Read More
13 November 2014 – Angela Thorpe 4
This is the first post in a series on issues of diversity in the public history field.
“I’m surprised to see you here. You know this museum is for white people, right?” These words greeted me during my first days of an internship at a Greensboro, North Carolina, museum last August. Read More
25 September 2014 – Richard Anderson 2
This summer I traveled to Shanghai, China, with a group of fellow students and faculty from Princeton University for an immersive seminar in public history, memory, and preservation. The trip provided an opportunity to think about public history in a transnational framework, which is important to me for two reasons. Read More
19 September 2014 – Adina Langer 1
On August 24, 2014, the temporary exhibition Lake Effects closed its doors after a ten-month run at the Michigan Historical Museum. Attempting to absorb as much Great Lakes culture as I could before relocating to the southeastern United States, I visited the Michigan Historical Museum with my family in July. Read More
08 September 2014 – Mary Rizzo 6
I’d never held a duck decoy in my hands before and certainly not one that was important enough to be in a museum’s collection. It was my first day as education curator at the Tuckerton Seaport Museum in Tuckerton, New Jersey, and along with Jackie Stewart, the director of the folklife center (it was her first day, too), I was organizing a small exhibit for the nature center. Read More
02 September 2014 – Michael Bustamante
On July 17, Miami-Dade County Commissioners—several Cuban-Americans among them—approved a controversial plan to construct a Cuban Exile History Museum (CEHM) alongside Biscayne Bay. Few would deny the importance of the Cuban community to Miami’s rise from sleepy getaway to sprawling “gateway to the Americas.” Read More
25 August 2014 – Theresa Koenigsknecht 1
Continued from Part 1.
Navigating copyright for images is tricky and presents one of the biggest challenges in my work as an Exhibitions Researcher at the Indiana Historical Society. Although I admit to only a rudimentary understanding of copyright, this is where open access comes in very handy. Read More
20 August 2014 – Theresa Koenigsknecht 1
Thanks to the exponential increase in availability of digitized collections, possibilities in exhibit research have drastically expanded. Digital collections have become essential tools that help ensure the success of projects with limited budgets and tight deadlines, which most public historians might agree is just about every project. Read More
13 August 2014 – Ken Turino 1
museums, The Public Historian, gender/sexuality, pulling back the curtain, historic house museums, tours
Editor’s Note: In “What I’ve Learned Along the Way: A Public Historian’s Intellectual Odyssey,” outgoing NCPH President Bob Weyeneth issued a call to action to public historians to include the public more fully in our work by “pulling back the curtain” on our interpretive process-how we choose the stories we tell. Read More