My recent review of the Georgia Social Studies Standards, as part of my work at the Museum of History and Holocaust Education, galvanized my desire to reflect on the importance of the Broadway musical, Allegiance, which tells the story in fictionalized form of George Takei’s family’s experience in internment camps during World War II. Read More
In August 2015, a museum that had originally been billed as “the first women’s museum in the UK” opened instead as the Jack the Ripper Museum on Cable Street in the East End of London. ‘Jack the Ripper,’ an anonymous figure who murdered and mutilated at least five women in the late nineteenth century, has become the focus of a museum that had once been promised to represent and celebrate untold histories of women. Read More
Last December, I shared this post about my then-recent relocation from Lansing, Michigan, to Atlanta, Georgia. I wrote about my efforts to make connections in my new community and to nurture my career as a public history consultant and educator. Ten months later, I am writing from an altered vantage point; over the summer, I decided to apply for and ultimately accepted a new job as Curator of the Museum of History and Holocaust Education at Kennesaw State University. Read More
The wide scope of new Smithsonian Secretary David J. Skorton’s interests and expertise is a good match for the sweeping breadth of the Smithsonian Institution. Formerly president of Cornell University, Skorton is a cardiologist and biomedical researcher who is also an accomplished jazz musician. Read More
Gardens are personal. To some they are a way to grow food, to others a space of serene retreat, and to others still a background for celebrating culture and friendship. For many, they encompass a host of meanings and uses. How do we collect these ephemeral stories? Read More
Editor’s Note: This series showcases the winners of the National Council on Public History’s awards for the best new work in the field. Today’s post is by Julia C. Wells, author of “In the Shadow of the Butcher: The Limits to Confronting Colonial Legacies Through Commemoration in South Africa,” The Public Historian Vol 36, No 2.Read More
I have always thought of public history as a tool to assist us in mediating unchartered territory. More specifically, museums can serve as public forums to tackle persistent forms of oppression that have escaped clear resolve. This vision seems particularly relevant today. Read More
In early 2014, a small historical society outside of Portland, Oregon, circulated a request for proposals (RFP). Having received a grant from their local government, they sought to hire a curator for a one-year contract. The duties of the curator included: inventorying and assessing collections, developing and implementing a policy and procedural structures for managing collections, creating an interpretative plan, developing a public services strategy, and staffing the museum every weekend. Read More
Editor’s Note: This series showcases the winners of the National Council on Public History’s awards for the best new work in the field. Today’s post is by the students of the Jenks Society for Lost Museums, creator of a unique exhibition in the Brown Public Humanities Program.Read More
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